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off day. off day? we don't believe in off days, motherfucker.
I am a college student studying music. I have very limited funds and I want to go to grad school. I almost never buy CDs anymore. But I bought yours.
And when you make another one, I'll buy that one too. I will be at your shows, and I will bring cash.
If you hold out the hat, I will always find something to put in it. Not because I love your music, but because after three internships in the music industry and countless discussions in class about how to fix this broken system, you are the only person I can think of who is actually DOING something. And that deserves my donation every time.
However, if I was a hardcore, longterm fan (I've only been really into Dresden Dolls/afp for a few months), and every single thing I looked at to do with Amanda- whether art or not- came with an ask....well, I think after a while I'd start to get irritated. Kinda like burnout. Perhaps actually what's needed is more explanation of where the money goes. On the other hand, what a person does with their money is their business.
In short, I don't know what I'm saying. :P
Personally I think Amanda gives a hell of a lot and so I'm happy to give back to support it. However, I'm not sure how many other artists would be as giving as she is. She works damn hard for it.
Not sure why people are hatin'. Seems pretty legit to me. I think it's awesome the ideas you come up with to make money, and I think you're fans equally love giving you the money when you make it so much more unique and personal.
Who are these people talking? Let them talk.
Just do exactly what you do, because that's why we love you.
And don't worry about offering your hat out. Most of the people who would complain about the money you made don't realize most of that goes right back into your music.
Every time we give a dollar, we're giving another happy memory to you.
Pax,
Matthew
--
http://matthewebel.com
http://matthewebel.net
Also, Amanda, us fans are always gonna be there for you. :D
Please, by all means, hold out your hat AND your uke case,
and I'll put whatever I can afford into both. You're marking
your place in a musical revolution! A renaissance, if I may,
by ostracizing the capitalist middlemen. Keep it up. :D
Being part of the DIY scene, I've seen all kinds of musician survival techniques. What you're doing is nothing "new." You're not blazing any trails or helping to develop a new system of any kind. Why does using the Internet make people suddenly think they are revolutionary? You are not revolutionary. You are just tacky and narcissistic. SO narcissistic, in fact, that you didn't even notice the entire subculture VISIBLY doing what you seem to believe you're doing before you so arrogantly insisted that you're breaking ground for the scared, shy, helpless up-and-comers who desperately need your enlightened, "fearless artist" attitude to kick in the door to this brave new world. Ugh. Ugh ugh ugh. Who the fuck do you think you are? Honestly. This is so insulting to artists who have been surviving directly through their fans for decades. This is insulting to the REAL brave artists, who didn't even need a label to get dropped from to begin with. You think you learned some hard truth since you got dropped? And now you're, what, generously passing this lesson onto the rest of us?
The extent to which you don't get it is astounding to me.
The fact that you would boast about being fearless is ironic.
I have enjoyed your music since 2002. Amanda, that's a really long time. I was irked slightly by your constant begging but reading this long-winded, pompous justification for your behavior is the first time I've ever been really disgusted by you. It's the epitome of pretentious. It's selfish. And you make it worse by trying to pass it off as some noble "favor" you're doing for future contenders with the industry.
And I think you meant to say "subjective." Morality is subjective.
And it's not really as "subjective" as much as it is "relative." But that's for another day.
Trust me: Lose the divatude, or risk losing those fans you so depend on.
Oh, and P.S. It's even more disgusting that you have to post a blog like this in some sort transparent validation-seeking gesture (perhaps to try to relieve some guilt?), knowing that most of your fans will just kiss your ass indiscriminately. Sick of it.
Personally- I think money is a touchy "taboo" subject and better dealt w/ mysteriously, humbly, ask but don't ask.
I'm raising money for a friend right now, who just lost his boyfriend to cancer & there are gobloads of medical expenses/cremation/lost wages, etc. Even for this, I have to tread lightly. Times is tough. Peoples is callous.
You kind of have to ask, but then quietly look away. Don't stomp.
I think you may have missed the point I was trying to make--It's not the asking for money bit that really bothers me. I think it can be fine to ask for money. Artists do it all the time. It's especially fine if it's associated with medical or funerary expenses or other tragedy-esque things. Sure, it can come off as tacky when people choose to interpret it that way, but as I well know... people gotta eat.
What bothers me about this post is the sweeping claim Amanda makes about being some sort of front-runner of the label-less. Her self-important attitude is outrageous to me, and comes off as really ignorant. She neglects the masses of artists and musicians who have come before her doing things on their own, supporting themselves directly through transactions with their fans, inventing new and creative ways of surviving on their art alone. Just because it's new to her, doesn't mean it's new to everyone else or that others haven't refined these survival techniques well before she even had to employ them. She's making a claims about being a pioneer of a world long occupied by others.
She can ask for money all she wants, but it's another thing altogether when she acts as if she deserves a pat on the back for being "fearless" and "groundbreaking."
Let me put it this way:
Amanda says she is not afraid "break new ground... for other artists who i assume are going to cautiously follow in our footsteps. we are creating the protocol, people, right here and now."
Now, if you were an artist who has been supporting yourself like this for year (among a subculture/community of artists doing the very same thing), would you not be offended by some dropped-from-her-label newcomer to DIY scene acting as if she's inventing the lifestyle? Like, hi, don't we exist? Yeah, congratulations on being so very fearless. We owe you one.
And, um, didn't her ex-label help her to cultivate the fanbase she's now conducting her little indie-survival experiments on? Something to consider. It sort of facilitates the process and/or cushions the blow of suddenly having to go it alone.
I'm saying: Yes, it's an ideal system. The fan pays the artist directly. Great. I love it. I live it. She didn't invent it. She just joined up with the rest of us. It's painful to me to see these artists I so respect being marginalized and forgotten.
I was a devoted reader of the blog for more years than I'm willing to admit. I've watched great ideas come and great ideas go. I've seen many ideas come crashing down due to irresponsibility. The first Dresden Dolls companion was overdue, can't remember on the second one, but the WKAP pre-sale was a disaster and various other things. If more time was spent fulfilling obligation instead of coming up with more plans, people would be happier with this. When you're waiting for something you've already paid for to be delivered late and in an inferior state that what you ordered, you tend to be upset when another scam is up to make money.
The ideas are GREAT, the follow through is weak. Anyone who disagrees with this statement is someone you need to add to the top of your buddy list because they'll give everything. Think of it as a litmus test of sorts.
I think it is WONDERFUL that you are taking an initiative to battle against Roadrunner and correct the bad decisions Past Amanda made signing with them. It's important to keep everyone on the up and up. However, the constant updates on how much money you made from each idea and then following it up with an apology on why the last idea isn't working out is a bit ridiculous to the logical mind.
You have some of the most wonderful people in the world around you. People like Jason, Beth and other are folks that know what is good for you. They're not afraid, they're making sure you don't go to the well so often that it prematurely dries up. Those who enjoy your music will continue to buy albums. I honestly disliked half of the WKAP album, but I will still buy your next release due to the track record of old.
Live simple for a while and build it up. Work on new material and ask people to help the album get made. Asking people to finance your rent, trips abroad and various other schemes is not appropriate, honestly. If you want people to pay the artist, then people need to get art in return.
Its people like you that have attempted to legitimize a now even more corrupt "industry" you've advanced no further then trolls on the BBS's in the late 80s. Who ever showed you what a computer is need to be shot, burned at the stake and QUARTERED.
I hope you die in a fire and everyone forgets who you are.
Ok, if you hate her so much, why are you reading her blog? And what kind of job would you prefer she have? She has a hard time making fucking RENT, and she works her ass off to make that. Why should she have to be ashamed of the fact that this is how she makes money? Music is her job, and she deserves to be paid for it.
On another note, it'd be kinda hard to quarter someone after they've been burned at the stake, but it's unlikely you actually know what quartering is, so its a moot point.
Both the music industry (and the publishing industry with which I'm more familiar) need more transparency about their practices. A few months ago, Lynn Viehl posted a royalty statement for her best seller and received both flak and kudos for it. http://www.genreality.net/the-reality-of-a-times-bestseller People, especially those who are considering joining the industry, need to understand how it works and what to expect. (Most people forget that artists, aside from eating and paying rent, pay taxes as well.)
Having said that, two of your closest friends and supporters brought up the same issue with you. You said in your post that you will make mistakes and you were right. You don't have all the answers, and you will need to adjust your methods as you go. Maybe this is one of those times. Don't dismiss the criticism and gossip as simple responses bred from fear (though some of them are). You might be able to use them for something positive, as a way to improve what you are doing.
P.S. It's lovely that you told the people to lay off Beth for your actions/decisions. Your courage, bravery, and loyalty never cease to amaze me.
My point (which I guess wasn't clear) was that she should take all feedback into consideration, positive or negative, especially when it comes from close, trusted friends. Gossip and hurtful criticism are negative and discouraging forces in a person's life, but she might be able to turn all that negative into something positive for herself and for her fans.
I think the era of the "career artist" is coming to an end; make art for love, not money.
I've written and recorded 5 albums this year while working a full time job. I give my music away for free, because I only want it to be heard, money be damned.
I work a job to support my art, and make my art because my heart tells me to.
I've been making art my entire life because I love it, but let me tell you that working full time while making my art was not cool. The commute, the hours dedicated to just my job wore me out. Fuck that. So I stopped (the job, that is- but imagine how many people stopped the art instead).
And I think it's fair to say that Amanda has been making her art for love for the longest fucking time. If she can make money, too, let her. It doesn't make her art less from the heart or less valid.
But if you changed the meaning of "career artist" as a person who allows outside economic forces affect the direction of their art so they lose their personal vision, I would agree that it should be phased out. But I don't think Amanda is that, either, because the last time I saw her, she still didn't look like a Spears or Aguilera (thank god!).
So I say work on your art because your heart tells you to and make your art your work so you can make even more of it.
You should read David Mack's The Alchemy. I think you'd like it.
what of the people who just don't have the courage? isn't it asking a little more of them to pretend to be confident in themselves and put on a stage persona just to encourage people to pay them and gain attention?
this reminds me of an ongoing dispute with my mother about what's more important in music. "even artists have to eat sometime" she's upset that I quit a band I was in that had an opportunity to make bank. but I quit for good heartfelt reasons.
I don't know, I can't help but to resist this new system somewhat. I enjoy the part about cutting out the wankers who like money. but it's pretty difficult to ask for something and look like an ass, when the next stage over is someone who doesn't ask for a thing and has a short fat bald man taking all the heat.
I think the answer is for each person to work the system and be pragmatic rather than ideological about it. Sign with the label or don't, but be aware what you're doing and what you're giving up. Your great service to your fellow performers is to experiment with and to illuminate the dark corners of the industry so they can proceed in their business dealings with full awareness. To that end, see also Zoe Keating's Q&A on some of the same topics: http://www.zoekeating.com/blog/2009/09/deep-tho... .
I would send money to an artist I consider to be shit-kicking awesome.
You're doing it right.
Amanda passes the hat at performances. So what? She's /performing/. Yes, fans pay to get into the venue to see her, but a solid chunk of that goes to the venue, reducing her income (reasonably, to be sure, because the venue has expenses to meet as well, but the point remains that way less than the $20 someone pays to see her perform actually goes into her pocket). Beyond that, Amanda's performances are incredibly warm, interactive experiences, in which not only does she get appreciation from the fans but the fans get significant appreciation from her. That's a hell of a bone, right there.
I don't think any of this means she's greedy. I think it means she's making a living off her skills and talents via a method that, far from being new, is really far older than the current model incorporating several levels of middle-men. Artists receiving patronage directly from those who appreciate their art is basic. The romantic ideal of the /starving/ artist is just stupid.
10k is a lot of money for doing very little, but Amanda paid a fuck load for WKAP and make no money from the sale of the album. Yes she made money through touring but very little when you compare her ticket prices to most touring artists these day...
I get where you are coming from with the woe is me, I'm poor because I'm in the same position, but when I do have money and want to spend it on music, I'd prefer it to go straight the the artist. Plus I just dont agree with your claim that Amanda is just taking and not giving back because she does. Everytime you listen to her music or read her blog or watch her webcast you are looking for an emotional response and she is giving it to her. Why should that be free? 9 times out of 10 it is free! She does free uke gigs all the time for fuck sake and you don't have to pay to watch a webcast, only if you buy something. Why should she give you a free dvd or free picture???
The first auction I was down with; that was when the true scope of Roadrunner's assinine behaviour was revealed and I firmly believe in supporting artists and doing so as directly as possible. I threw in $10 I NEEDED to eat for the Danger Ensemble. I went without food to show appreciation for what they gave. I fully appreciate Amanda's level of interaction.
That said, the multiple auctions scattered between accounts of travel and fun and retreats that I and many of her fans could never afford, especially if our rent was going unpaid as a result, only to run more auctions as 'necessary'... Well, frankly, what is she doing in Europe if her rent's not paid? You follow me?
I think the idea of paying artists directly is key to the future of this business. I think selling off costumes from video shoots for cash is fine (if you're going to handle the auctions properly - things are STILL really haphazard and "um er uh I guess it's closed"). I actually suggested AGES ago that to save costs on travel and venues that, say, once a month, Amanda host paid webcam concerts. I for one would happily Paypal $15 to watch Amanda play an hour set. What would that cost her? It could be epic.
It's the attitude that is making me unfollow Amanda. It's the entitlement to us throwing more and more cash just because that is leaving a sour taste in people's mouths. Amanda USED to seem gracious. Not so much now. So many fans got screwed by the presale for WKAP. The BPAL thing just went to shit. The last straw for me is this post beginning with two dear friends of Amanda raising the thought that "Hey, Amanda, you know, people are starting to talk..." and rather than approach the subject here with, "You know, I can see why you may see it that way, BUT lemme break it down", she gets on a soapbox and insists it's fear.
Please. I've preordered indie CDs to finance their pressing. I am a huge supporter of War Child Canada's Busking For Change event and Toronto's annual Buskerfest. I have no fear in supporting an artist directly; I think Amanda fucked up large even signing to a label at all TBH (did she even READ Confessions of a Record Producer?).
It's not fear; it's nausea at the sheer gall of ignoring people like Beth and being stubborn and entitled.
So no, I won't RT. I won't even follow anymore. As with Howie Day, who lost my respect after shitting on fans in several ways, I will withdraw now. This post is the sort of ego trip that Amanda used to rail against.
Performing, making money, and trying to pay her rent. (Actually, as far as I can tell, trying to dig herself out of the hole that making WKAP threw her in.) But if part of being in Europe and performing means taking a few days out for fun here and there, more power to her. If I was in Europe, I'd do it too, and I don't know anyone who /wouldn't/. I know people who /say/ they wouldn't, because it's incredibly easy to have a more-ethical-than-thou stance when you're not faced with the circumstances, but seriously- if an opportunity like that happens, who wouldn't jump on it?
What /else/ would she be doing in Europe if her rent's not paid? She has fans there, too, willing to come to concerts and contribute directly to her. What do you feel she /should/ be doing? Touring, performing, getting out of the studio and interacting with the people that love or even just like her music is all part of being a successful musician, and that's where it seems she's headed. Would you prefer she quit all of this, go find a receptionist's job until she's managed to pay herself out of debt, and then try to force her way back into a field that'll have forgotten about her by then? It'll never happen. She'll never make the money, in the current day-to-day workforce, to do that.
So yes: signing with a label was probably a mistake, but it was and is 'the way things are done' and in an initial struggle for legitimacy as an artist, I imagine it's what most people strive for, just because that's the case. So it was a mistake. She's figured that out and is trying to resolve it and move on.
It'll take a lot of money to do that. She has a significant fan base willing to help her achieve this goal. Her methods aren't always demure and understated, but that's not in any way, shape or form who Amanda is or how she interacts with people. Nor should she.
Not everyone places value on what she offers. Not everyone agrees with how she offers it. That's fine: they're not required to cough up, or even RT or follow.
This is not the usual model. It's not a /music/ model, which is I think where the friction emerges. It's a model taken, as she said in her blog post, directly from street theater and performance art, applied to an industry that has atrophied on its current methods.
She admitted she's making mistakes with it. There will be growing pains. The model will change and adapt to both Amanda's needs and her fans' reactions. The cognitive dissonance between the expected ideal of shelling out for a CD from a label/tickets-and-merch from Ticketmaster and third-party merchandisers and paying a performer directly for not just music and concerts but closer interaction- that'll fade as the idea catches on. And I think it /will/ catch on, Amanda's occasionally-abrasive tone notwithstanding.
Her job REQUIRES travel and travel is NOT CHEAP! You are criticsising her for blogging about her travels as though she is boasting, but really isn't she just trying to keep in touch with fans the way she always has by blogging. The only time I know of that she actually did holiday was for like a week with Neil and his daughter a couple of months ago.
Do you think when she was in scotland she was just hanging out? Again I think work was at the core of why she was there! Even if she was just hanging out why shouldn't she every now and then. Unlike most people she doesn't work a 5 day week and have a weekend off, so getting a couple of days off here and there is essential. How else can creativity flourish?
"What is she doing in europe if her rent is unpaid...?"
WORKING to pay her rent. Do you have any idea how much it cost to make an album? Amanda paid for a lot of it and RR didn't promote it. The albums that actually were sold Amanda made $0 on so she auctions shit off to supplement her income which unless she is CONSTANTLY gigging is not solid! I don't hear ANY DD songs or AFP songs in TV, movies ads etc so she isn't making much on publishing. ALL her income is live shows and buying from her webstore so why are you so pissed that she is trying to make a little more to pay her debt back?
In regards to the auctions, Amanda has admitted that they haven't quite mastered it yet, that it's all an experiment so so fucking what if they say well erm I guess that's closed! Why be so formal about it? It's Amanda fucking Palmer for fuck sake in random peoples apartments, not a professional auction house!
I agree that she should do web cast gigs and charge $15 but then you'll have another load of whingers complaining that they can't afford it. At least you can watch the webcast auctions for free now and only donate or bid IF YOU WANT TO!
I don't think Amanda is asking people to throw more and mroe money in. I think she is grateful to those who have and is trying to encourage those who haven't to support her. If they take from her, they should give something back.
That is so fucking slack to go on aobut the presale and BPAL shit. The presale was not their fault and the BPAL shit was also sorted. Beth etc put in HOURS, DAYS, WEEKS, MONTHS trying to fix that presale crap. You I think are the one with entitlement issues.
I also don't think it's amanda getting on her soap box, I think it's Amanda sticking up for what she believes in, maybe Jason and Beth don't share her views but so what, this is Amanda's blog, not theirs.
If Amanda was a millionaire living it up in some fancy mansion some where then maybe I'd agree with you, but for the amount of work she puts into her career and what little return she has gotten, I think she still deserves some support.
Oh and what performer out there doesn't have ego? Its essential for that sort of career!
How much are you getting paid by the way? In the interest of full disclosure, you should really state your own financial stake in this discussion instead of posing like you’re just one of us, an interested fan with no financial interest in selling these begathons to the Dolls fanbase. Right. ::rolls eyes emoticon::
The only problem I have with this whole debacle is the arrogance you show your fans about the money that you are making. I've been a fan of you and the Dresden Dolls for years now (and have contributed my fair share of money to your cause), and recently I feel like all that matters to you is money, and how much money you can get people to give you. While this is all fine and dandy, I fear that the your artistry is being lost behind all the talk of money, not to mention that, at times, you seem to guilt your fans into throwing money your direction.
At first, I loved this idea that I, personally, could make a difference in your life, and at the same time screw the music industry (because we all know that they are Only in it for the money). Now, I still love the original idea, but the practice put forth by you, Amanda, I don't love quite so much. I realize that as a fan, I'm probably in the minority, but I just wanted these thoughts to be out there as you seem open to criticism and ideas.
I understand that you are proud of your work and achievements, but all of this constant bragging and carrying on about how you are having your fans support you makes you seem like a princess and the fans are your common peasants that are required to pay taxes in your kingdom. You are beginning to make me feel inferior, like a mere commoner, when at first I became a fan, you made me feel like royalty.
Now, don't get me wrong, I hate to criticize you, and I think it's wonderful that you are making a living doing what you love, but it feels wrong to me, a fan, that at the end of the day, I feel guilty for not just handing over my hard earned money. Where has the art gone? It almost seems to me as if you no longer feel you truly have to make art, because you have become the art.
There are no hard feelings intended with this, I just felt the need to add my two cents after reading this blog entry.
Thank you, Amanda. I hope this adds a new perspective to the system.
Good luck.
I'm with Amanda on this, and I really hope things work out. I admire her for trying something nobody has done in a big scale, and for always being honest. I hope that is never lost.
Also, this would be a great time to mention, you are fucking fabulous, AFP.
I honestly don't see what's the problem here, why would people critize what you're doing. I'm a fan of yours, and I happily pay for your records, dvds and concerts... And I would also pay for a dress, of a prop from one of your videos, or whatever (you know, if I had the money :P). It makes me feel good that I know the money goes directly to you, because you've earned it!
You sell, we buy. I don't see anyone complaining about any other type of seller selling things to make money! You are an artist, of course, but you are making a living out of it... And it makes the fans happy, it makes you earn money... What's the fucking problem?
I don't know what the hell it has to do with morals. I guess I just don't get it XD
i don't understand why people get so angry about patronage. that's what was going down in the renaissance. someone needs to bring that back.
the music industry is a nightmare. it's not about music anymore. it's about image, what sells, and it is completely soulless.
i am a college student/musician/artist, but i will always buy your music/sheet music/merch because you make great music. more importantly, your music has substance. i've seen you live twice and been blown away both times. also, you are doing something that needs to be done. it's not going to be perfect, but mistakes are a part of progress.
This is exactly my manifesto on art and music and money and FUCK, I wish I'd said it first, or as boldly as you have. Thanks. Blows my mind. I can't wait for the whole industry to follow.
I have been to your concerts. You're god damned right it's worth it.
i am a broke college student but i bought the LOFNOTC t-shirt, i bought the dvd, i have been (and will always come) to your shows, and i have bought countless other merch items.
you are doing something amazing, amanda. it makes my heart sick to think that there are so many people who do not agree. you're an inspiration, i think, to not only other artists out there, but to humanity as a whole - just by choosing to say "fuck this" and doing it your own way instead of following society's "accepted" methods.
good for you!!
don't stop. we will always be right behind you, supporting you every step of the way. we love you and your music and everything that you stand for.
- Chay <3
I have written several blogs about my feelings at becoming an art patron. I would rather give my money straight to the artist than to some crappy ass label or middle man company.
My Two blogs: My Eyes Bleed Words http://tinyurl.com/mvrte2 & Support Your Local Artist http://tinyurl.com/yjzfhqx
The concept is good, but careful about remembering to give us something too. I know so many people who can't pay their rents, and i don't have that much money to give either, so all in all, the concept of every economy becomes "who should get which part of the cake". Building your own legitimacy toward getting money is a tedious job, careful not jeopardizing it by taking it for granted. But no need to become your fans' slave either.
She has given enough don't you think... Music is pricelss as far as I see it. It's one of the only things on this planet I think is honestly worth working for.
Yes, there is a cliche of the artist having to be humble and begging for the crumbs of society that is destructive, and i can salute her for standing her ground, but I have to say I have observed this blog for a while and the more it goes, the less i hear about art, life and music, the more i hear about money, spending and earning. On the one hand I'm starting to slowly fall out of love with what was offered originally, and on the other hand I feel I'm asked a lot in return.
Ok, she defends the status of artists, BUT she is also in direct competition with them, and the substantial amount of money i spent in her advantage were not spent toward perhaps other artists who have more debts, more needs, who can't even tour abroad...
Ok, it's all optional, BUT she keeps on going about how it makes rent - and 1) building guilt might not be the intent but it does exist 2) I know so many people who will buy her stuff in the secret desire of being somehow a bit of her friend - a feeling which is then betrayed by being just a mass valued for its monetary suppport. 3) Some buy because they want a piece of her, with the principle of the idol (if touched, becomes holy), but when the idol itself starts only talking about money, it starts being shallow, and like a hall of mirrors, only reflects the weird commerce that is being made - until the person asks themselves : "why am i buying it really?"
I'm still an AFP follower. I'll still go to concerts, and probably tip, and offer to help, and maybe buy some things if i can afford it and if i like it. But I'm starting to detach myself from the whole twitter blog, concentrating only on an occasional listen of the music because, as simply can be put : i still love the music, and yes, it has carried me through many things, and for this i'll always be grateful, but the character and the stance, I'm not always as sure.
The bit about the blog being more and more about money and less about art, I have noticed that to, but instead of getting annoyed I got excited because it appears as though so is she. She has found something that just may sustain her career so she can continue to create the art...
You can't blame her for you not supporting other poorer artists... That was your decision to make, maybe her music is more appealing to you and therefore more deserving of your money. Maybe your dollar went to her, but because of this blog someone else who is more well off than you will give to that band struggling even more than Amanda as well as to her.
I know everyone buys shit from her for their own reasons... Again that is their decision to make. She isn't holding a gun to anyones head demanding they pay her. She isn't claiming she'll be their best friend if you buy her glass dildo. People read into things what they will and she can't control that.
I bet if everyone stopped buying her music, merch, gig tickets and she was forced to get a day job, she'd still create in her spare time and share it for free. I can't say that would happen for sure because I don't know her, but I think she is upfront about why she is doing this. She needs the money.
EVERYONE is struggling right now. She ISN'T entitled to money any more than you are UNLESS you are taking something from her. No one is entitled to be paid for a job they didn't do, but she's done a fuck load and hasn't been paid for it.
By supporting her in the way you have, you have contributed to her career. It sucks that people feel betrayed when they realise they aren't buying her friendship, that it's on a mass scale, BUT everyone's contributions do count and are important. Every dollar that goes into that tip jar is one dollar closer to hearing a new song, or seeing a new video, or some sort of creation. If the art stops then I will be fucked off big time if she keeps asking for money, but it never stops. She is always working on something.
I do wish there were more blogs not centered about money, I guess it's just such a major issue right now that she is a little preoccupied with it. Hopefully she'll be in a better position soon where she doesn't need to worry as much about it...
Asking for other peoples art for free (photos, etc) then devalues the work of that artist. How can you expect to earn money off your work when someone else is known to be getting it for free?
Yes, have the fans directly support the artist, but provide your own creativity in return.
Also, beware the self-repeating echo chamber that such a devoted fandom provides.
Tip. When you can. When you can tip big, then do so.
No one should miss food or get into trouble with their rent, and there's no way in hell that's what she's asking anyone to do. What, people tip, lose their place, then they go to some not for profit that she has to do a benefit for, because that's how she's built? Please.
Here's the deal. She's out there, she has a limited amount of time and your attention, on stage, on a webcast, as we pass by her website. So, expect that she's gonna ask. Is she asking you? Do you have it? No? Then no.
But there's 10 people who're seeing her for the first time and they need to be asked, they need to get it, because if they don't, and you can't, then she's broke and we don't get to see her so much any more.
I would love it, if every musician had a public P.O. Box or better an online tip jar, if their publicist had a book keeper to handle the checks, and then for all the music I like, all the youtube videos I like, I could send along some cash. Maybe just 5 bucks. Because Warner bros. gives them 22 cents, and puts them into debt and obnoxious contracts. So, my 5 bucks, that gets to the artist is 20 or so times what they used to make, and then I could tip a lot more artists and when I get a head, I can gleefully go back and tip them even further, see their shows. Because they'll still be around, and they won't have been ripped off.
But until there's a sea change and probably even still, artists will have to solicit.
My friends stopped reading my blog and visiting my performance website when I put ads on it - why do they have such a problem with me making a buck? And I wasn't even asking anyone to directly donate. People should just shove it.
Also, when your album first came out I pirated it off the internet. I gave the files to my friends. And then I sent you an envelope with money in it. I sure as hell hope you received it; it was my way of damning the man and saving a performer that I adore and admire.
I hope that people stop being so uptight and start getting with it. Radiohead released their last album for "donations" online. Pay what you think this album is worth. And they made a shitton of money. Why shouldn't everyone? The only argument against this is that the record companies won't make any money. I for one don't see any problem with that.
I don't have much to say, except that you're awesome and keep on doing what you're doing.
(that is three exclamation points of Amen, which is the most punctuated form of it I have to give -- that was an open-armed emphatic Amen!)
You are precious, you.
And also, record labels, advertisers other mother fuckers need to be cut the fuck out. Or changed like crazy whoa. While I don't know if I could ever follow in your footsteps, I certainly respect them.
Amen.
Kris - Auburn, NH.
I think there's people that hate on the idea because they didn't think of it first. At least when people buy things directly from you, they see that their money is going to make sure you keep a roof over your head or to help you go on tour. To all the haters, I say, find something real to bitch about. The world is going to hell in a handbasket and they have nothing better to do than to complain about a wonderful artist and an amazing human being who happens to just try to make a living.
I love you, Amanda, and I'll support you in any way I possibly can.
This. Yes.
Anyway, I dig the blog post. I'm also a musician trying to figure out how to make money in these craaaazy times.
for now I'm giving out my album for free as a download (maxmiller.bandcamp.com) but selling different physical versions.
Good luck to you and all independent music!
Keep sticking up for yourself!
Much love to all,
~Sarah
One woman's trash is another man's treasure.
Kris
Auburn, NH
I have wanted for years to be able to donate to artists. I love the idea of being able to thank with money the artist who brings me joy. Lots of joy. Unfortunately, it is rare for me to be able to put money in your actual hat, and in that case, a virtual one will have to do.
Thank you for making such wonderful music and such wonderful art and for sharing your life with your audience.
Love,
Kyra.
This shit is hard work, and a gig is a gig. Keep up the good work.
why people are so willing to give their money to hot topic for a t shirt, then so bitchy about artists charging for things directly is beyond me. i commend you for your honesty on the subject, as i always expect from you.
I don't always agree with the things you do, but I LOVE YOU for doing them. I love you for being brave in a way I never was. For going full frontal in every aspect of your life, in particular when it comes to your art. For being great at self-promotion. For DOING IT and not apologizing for it. For writing and performing and being and loving and creating. Thanks. From the shy and understated artist over in the corner,
Much love and many thanks to you,
And on another topic ... When I saw the photo of you on the beach as a kid, your spirit shinning through reminded me of my youngest daughter, Ana. If she grows up to be as free spirited and creative as you I will think my job was well done.
Don't let dissenters get you down. I really believe that you are at the front of a wave of new thinking and new knowledge about how performing artists connect with their audience. I don't think there's any reason to fear that people will stop valuing for human contact. The fact that we are worried about stands as testimony to the fact that we don't have to worry about it. Also, as someone who wishes she had the guts to busk by herself, thanks and you're awesome.
Preaching to the choir I know....Keep rocking AFP! You are my hero.
cheers :)
Keep doing what you do. And we will keep loving you for doing it.
Ignore them. You know what it's like to struggle financially and otherwise in many ways that your critics likely do not. "Be yourself" sounds like something out of a Disney/Pixar film, but honestly, be yourself. Do what you want to do, and what you feel is right and good for yourself(And those you care for/love, if you so choose.).
Fuck everyone else.
There will always be those who'll criticize anything, but your work for artists (and as an artist) is so important and so appreciated. Thanks for being our fearless leader!
(And I can't believe there are people out there who would tell a street performer to "Get a fucking job." Sad.)
I always marvel at how you've been working the internet thing, and I've been trying to figure out how to make it work for me as a writer. (Publishing is just as murky a world as the music industry, I think) I believe artists should be paid directly, and should not be ashamed of doing it. I've purchased music and merch from you already. I plan on purchasing the DVD as soon as it's back in stock. :) I've seen you in concert live. I've purchased the book. As long as you continue to share your creativity with the world, I will continue to buy some of it from you. I'll spread the word so others will do the same.
That's really the other part of the equation. Not only putting one's own art out into the world and expecting compensation, but letting people know about other people's art. Everyone who loves art, whatever form it takes, should be a patron. Should showcase, promote, show off artists they know and encourage others toward them. Should help create a world in which introducing others to art in this way is important. Oprah shouldn't be the only one with an influential book club. Neil shouldn't be the only cause of overburdened bandwidth on burgeoning artist websites. :) We should live our lives based on personal recommendations, not just on the art mass media tells us is important.
And by the way, people do bachelor/bachelorette auctions all the time! Hell, I'd let you auction off dates with ME if I thought you'd see any money and if I wouldn't be embarrassed by the horribly low starting bids. :)
I'm coming to see you again in Knoxville and I am specifically saving money so I can support you personally. It makes me happy!
In short... amen!
For what it's worth, I don't think that putting out your hat for donations is crass or abnormal. To pick a random example, when Neil goes on a signing tour he's putting his physical presence out in the public eye to help coax people to buy his books. He's not dealing directly with the money part; the publisher does that, and passes on like 2% of the cost of the book and keeps the rest.
You, Amanda, are trying to do what lots of other artists are doing in the age corporate conglomeration but also the age where distribution of media is suddenly free: you're cutting out the middle-man(corporation). Nine-Inch-Nails sold a record in the last year or two where they had a super-special super-limited edition of the album ON VINYL signed by the authors and stuff; I think they sold 75 of them for like $300 each.
I assume you've seen people's posts on the "1000 true fans" ideas? I don't know where the idea came from, but here's a quick link that google came up with that talks about the idea:
http://boingboing.net/2008/03/04/howto-earn-an-...
Lots of us understand and support what you're doing. I'm not going to be one of your 1000 true fans, yet at least. I would buy the WKAP book, but I really don't want to have a coffee-table book with dead people on it. I'm seriously considering buying a ticket to the Knoxville concert. I may well buy one of your CDs because after reading the explanation of the making of the WKAP album, I'm terribly curious about the songs that you talk about. And I think it's a great idea to have a phone-in webcast thingy with a tip jar. If I listen to a bunch and it's fun, I'll probably throw some money in.
There's a quiet, slow revolution building to challenge the Neilson-based, cable-TV based idea that you have to buy your entertainment in giant monolithic blocks because that's what (sort-of) made economic sense in 1950 when TV stations were catering to audiences od hundreds of thousands. The day is coming soon when there won't be a sweeps week, that people will pay individually to watch shows because they're good/funny/interesting/informative enough to micro-pay for. Shows that suck will very rapidly disappear because no-one will pay for them.
And we will pay for your stuff, music and books and other things because if nothing else, you're real and genuine and weird and you're the kind of person who tweets desperately looking for an emergency keyboard for a concert and those of us on other continents feel bad because we can't provide one.
Keep it up. We're on for the ride.
Craig Steffen
you make us that little bit happier in our lives and that is commendable, if someone can making me smile when i'm feel blue that is a damn miracle and i for one think you're worth every penny.
We are showing you our appreciation and if we can get out own little AFP memento out of doing so we are going to be happier than a bunny in a barrell of carrots, i would rather buy something from you and know you are getting the money than to find something on ebay and give my money to some grubby little greedy shit.
We all love you so we will all support you, <3.
Besides, you have so many fans that even if every one of them only gave you a buck a year, you'd be rolling in it. A dollar a year for fantastic music and a pioneer spirit isn't so much to ask. If anything, we're getting you for cheap!
Love the Tip-Jar!
Thank you for laying it out so clearly. As artists we should be thankful that the middlemen have been taken out of the game. And our fans should be too, because now they can actually give US less money than was demanded by the middlemen and we'll still make MORE. How's that for a win/win.
Keep on doin' what you're doin'. And say hey to Jason from another Jason from Seattle. We actually shared a bill at the Redmond Firehouse years ago when I was playing with Heather Duby.
I took heat recently during a month when I was struggling to make ends meet just for putting a Paypal donation button on my serialized novella's web site, and asking my blog readers to take a moment to peruse my Etsy and eBay listings. I was told to go get a job at Wal-Mart or McDonald's if things were so bad. The fact that there are people in the world who think creative people would contribute more to society by slinging fries for minimum wage than by actually creating things depresses the crap out of me. I totally appreciate the ground you're breaking, and when I get into some positive cash flow I'll support you in ways other than just telling people how brilliant you are.
Make the tip jar permanent, keep on doing what you're doing and thanks for the beautiful music.
and don't let people misinterpret things you do to make a living, at least you're one of the many who are trying to make money...shiit i think you're a fucking genius for making that much from a date with someone...more power to you! =]
A-fucking-men!
'z'
P.S. Totally off-topic, but what's your favorite Beatles song?
If it's a bad thing to believe in a little reciprocation from the people that you break your back for...then I guess I'm a bad person. Fuck it, I believe in you, and I will support you however I can.
And still, so many artists in the field are afraid to break out on their own and make their own way. There are still so many needless taboos about artists -actually- making money. It's becoming easier with things like Deviantart and Etsy, but just hearing about this blog put a smile on my girlfriend's face. You tend to have that effect in our household. :)
AMEN!
Fer sure. What I just read rocks, big time.
all the best,
the NAIL
There's also a much better feel about paying directly to the artist, and receiving from them directly.
One of my favourites CD's is New Model Army's "High", not because it contains my favourite songs (although I do like most of them), but because it reminds me of where and when I bought it, along with a t-shirt, directly from a member of the "family" at a party/concert in their home town that was the best concert I'd ever been to, where I danced with a huge (and in other circumstances, potentially scary) gay punk and a tiny burner at the same time.
I regret not having had enough cash to do the same the one time I saw you, but you certainly worked hard for your income, first all the pre-performance tweets and messages, writing a special song for the location, the performance itself, dealing with poor sound gear and a piano that didn't look that sturdy, and then afterwards, hugging and signing for people for some time afterwards.
I have NO problem with people making a profit.. I encourage it. I expect to pay for my entertainment because it has value for me... and the people who produce it have value for me, so I dont mind that they make money off of me. :)
I'd agree that there's a stigma to the pass the hat system, to a point. It's not okay to put the hat out in front of you on the street, but it is okay to pass the hat in a theater watching a play. It's all a matter of tricking your audience. If you ask them to pay, after giving them free admission to something they're used to paying for, they are more likely to fork over a few bucks than if you're on the street. Of course one requires a significant amount more start-up money than the other.
The internet is still a medium wherein, people don't expect to pay for things. Much like people see street performers the same way they see trees, people see music on the internet the same way they see text on the internet. So what you're beating at is a change in the way people view the individuals putting art online. I don't think we're there yet, as a whole, obviously you've got people who get it (tm) but as long as some people are willing to do a ton of work for free, it's gonna be hard for people like you who realize the obvious flaws of the system.
The way I see it? Every dollar I earn belongs to you. Why? Because you inspire me to move, to continue on with my life. I want to be a writer, I want it so bad it hurts. I never would've discovered that had it not been for you and your lyrics.
So, DAMN STRAIGHT. I don't mind giving you every dollar in my wallet. Because for every worthless, meaningless piece of paper I lose, I am payed back, with INTREST, by your wonderful music. And anyone who glares at me, and calls me stupid for it can suck my imaginary balls and piss off. They don't understand.
And no, I'm not kissing ass. XD It sounds like it, but I'm not! Really!
;__; I love you, Amanda.
...LOL
~Xenjn
We support each other after all, no? I think after this, I'll be more public and statuesque; thanks Amanda.
We support each other after all, no? I think after this, I'll be more public and statuesque; thanks Amanda.
Q: Who is Amanda Palmer?
P.S. The finance part of me also says I'd keep specific dollar amounts on the DL. As this technology is evolving to artists, consumers, etc Uncle Sam is trying to figure out the evolution as well. They want to make sure they get theirs and keep everyone in line. I'm sure making an example of a high profile artists would help their cause. I'm sure we'd get some killer bluesy songs from you in the slammer, but Neil would miss you terribly! :)
♥
i first heard you in a dresden dolls vid on a tiny tv in a tiny restaurant in pisa, italy. (which was a weird, wierd happenstance cause i live in minnesota.) i promptly stole every track on the album, but when i had money i bought it. and all your other cds. and then i bought them for friends. and then i bought concert tickets. i made a point to support you because i wanted more, and i wish more people felt that way. we need you to keep experimenting, to break new ground and find new paths. i don't agree with everything you say, and you piss me off sometimes. but i love what you're trying to do, and i will continue to follow your career and support you. art dies without experimentation.
rock on. we love you. :)
Business is business, and business runs in the family, because it feeds the art. Thanks for writing this - it makes me feel better about the "selling out" aspect of selling art.
You have never charged a "ticket fee" to your webcasts, and are sensitive to the cans and cannots of your fan base. You praise fans for supporting you in other ways besides direct funding (artwork, food, lodging) and the door is always open. You provide your fans with more entertainment and going ons off the bill than one can keep up with. Honestly, being a fan of yours is like a year around Christmas. I know this is a result of the efforts of many beautiful people, and it's a sin that the conventional systems in place are not willing to support them as well. But the bottom line remains that i you have the means, and the art is improving your life, cough it up!
I think as long as you continue to make it clear that any level of support matters, even if you cannot afford to donate money, as long as it comes from the heart and really reflects what you are willing to sacrifice to the lifetime of devotion this individual has placed into the art that you are looking to touch your soul. It's a drop or two of wax to keep that candle burning for the next person coming along who desperately needs some light.
Just thinking of the existence of someone like you in this world brings me joy. And from you, I have found so many other artists and beautiful minds that create this joy in me as well. This life is a root infested, rocky soil, which we must churn everyday without rest. But artists are flowers. If we take th time to water them, care for them, and let their roots take hold, life is a beautiful garden. If we cut a flower from a tree, stick it in a vase, well, it'll look nice for a few days, I guess. But it wont be a part of your life. It wont touch you on the same level. And hell, if supporting a force that strong in this world is shameful, slap a fucking dunce cap on my head and sit me in the corner.
Hearts and Goats for you!
Ask all you'd like. Your music is more meaningful than anyone's has ever been to me. Every word holds meaning, you can tell you put your heart into it and you deserve every cent you get.
And if you manage to get really rich that way: A lot of people are getting rich with very very dirty hands or by funny tricks on marketing and clever contracts. If I see one day my AFP on her own yacht with a cocktail in her hand, earned by giving your art and so much of yourself to the world, it will just feel right.
its funny because i know that you meant for this to be solely related to the music industry and all that jazz, but it really applies to every aspect of what you've done for so many people from my point of view. by just being the completely awesome person that you are, you have opened so many people's eyes to see that being yourself (no matter how inherently fucked up that self IS) is okay and even maybe a good thing.
and i want to thank you for that. it sounds kind of lame to say it like this, as a blog comment, but you really have saved me, and inspired me.
and i know that it has to get old to have people constantly harass you with their issues (similar to the scene from jesus christ superstar when he gets bombarded by a mob of lepers...not to be offensive but i often see you this way...as a person who people flock to and maybe you just think sometimes, 'shit maybe there's too little of me to go around...') so thank you for being the kind of person that i can relate to.
thank you for being the type of person that i can respect and look up to.
thank you for digging deep into yourself even when things dont make sense and for still reaching out.
and i know that you hear this all of the time...but i think that its really important to tell people when theyve made a drastic impact on your life, and youve done that for me. so thank you.
in all of the chaos of the world at hand it is crucial to recognize heroes and hold on to them, especially because they seem to be so few and far between.
so even though i am small and insignificant, i just want to add my thanks to the pile that is growing on your desktop. especially if today proves to be one of the times that maybe you need to hear it. xx.
Do your fingers bleed?
I think more artists should be this up front about money-- with times as they are and people pinching pennies, it's important for people to know just what they're supporting and how their dollar does make a difference. It encourages me to see you and Patrick Wolf becoming quite vocal about this-- I do think it will pave the way for other artists in the future. We are all each other's best patrons; after all, when you go to a show or buy a CD or a painting, it doesn't only benefit you and the artist, it benefits everyone else who loves the artist's work. Let's keep each other afloat, yeah? ;)
Yes, things need to change.
So be it.
Kind regards.
And I'll admit it. My ass torrents music (I have a very skilled ass). The key is that the stuff I /keep/ I go buy, whether pressed in plastic or digitally though legit means. The stuff that I don't like? I delete. I think that's the rub. I've gone to a couple "free" shows to. If I stay, I make sure to pass along some nickels for the trouble. If I don't dig it enough to cough up a few bucks? I leave. If I still stay, I at least buy a few drinks so the house will be willing to have the performer back again, cause hey, the house sold a buncha drinks.
This isn't that hard of a concept, is it?
What you say about breaking ground for others is so true as well. You are a heroine! If we have gifts we should be able to use them and make a living from them, end of story.
phew I feel better now! BTW to all those healing should be free types, by tithing my own income (and holding out my grubby little hands for more), I raised enough money to build a small hospital for the nomads in the Kokonor region of Tibet.
big love
Karen
One thing that might help people wrap their heads around this is a breakdown of just how much it costs to be a working artist and get your stuff out there. (For instance, I remember reading that WKAP put you deep in the hole financially--which is fucking insane, especially for that masterwork--but others might not realize the severity of the situation.) I'm not saying that you have to justify yourself to these people in ANY way, but the creative lifestyle is so far out of the paradigm of many that a little clarification would allow them to get why fan-based support is more and more necessary these days.
Regardless, keep on doing what you do. (Oh, yeah, and come to Ohio sometime so I can put money in your tip jar in person!)
A true fan, and you seem to have many, are more than happy to support the artist direct as they know that the artist is the main beneficiary. And this is were the problems most likely starts.
Under the normal 'rules of purchase' we don't see the production process, we don't see the middle-man etc... with you, we see everything. Hmmmm... let me try and explain that more clearly. I've just purchased the new Newton Faulkner from HMV. I went into the shop, handed over my card and walked away with a shiny CD. I didn't see Newton writing the songs, fine-tuning the songs, making a video, I didn't know about the time lines and the CD production process and the artwork discussions for the sleeve, I didn't see the CD being shipped from the manufacturer to the warehouse and then onto HMV. I had no connection.
With you Amanda, I do. I knew a DVD was coming. I even knew when two young ladies (can't remember their names, sorry) dropped the DVDs around to the flat you were staying in Camden. I got to witness more.
As I've witnessed more, I have more of an emotional commitment - it is this that scares people. People aren't used to 'sellers' having an emotional connection to their 'buyers'. We're used to an unemotional purchase. There are of course exceptions to this.
Please don't stop innovating.
And excuse me for missing something during the last auction, was Holly really offering THAT on the dates, no, I didn't think so! Gotta love people and their hyperbole-for-effect!
Let me know when your next in Florida, would love to attempt to tip your hat to the positive!
^.^
Whenever I do something creative, I like to think of what Genesis P-Orridge said about marketing “You should always aim to be as skillful as the most professional of government agencies. The way you live, structure, conceive and market what you do should be as well thought out as a government coup. It’s a campaign, it has nothing to do with art.” Somewhat ironically, TG made selling themselves without selling out an art form. If you are searching for ideas about how to remain autonomous as a creative force and still make money, look no further then what TG did with Industrial Records. They got too successful. Best wishes in your future endeavors.
i think you are definately entitled to ask for money.
i will continue to be inspired by your music, and when i buy from post war trade, and the webstore, it makes me happy that you will recieve profit because of it. :)
and i love you for thinking about those next in line. kudos for being fucking awesome.
The money given to the artist is the fan saying 'Thank You' to the artist. The artist just has to require them to do so. Like a parent temporarily refusing to hand over an ice-cream to the child... "What do you say..?"
Question though, how can anyone bitch about you holding a webcast??? It's free to watch and only costs if you busy something... Complete tossers if you ask me...
What the fuck is these people's problem? It's not like a performer asking for money is sticking a knife to their audience throats. I don't want a photo or can't afford a date with Holly - I don't pay. It's as simple as that.
Now, one could probably be a little (or maybe very) unhappy if a show they paid for (to a middleman, so what?) turned into a fulltime sale, but as long as you do it with style you'll have your fans money, and it's Good.
[on a not-totally-unrelated note, DVD shipping to Europe costing twice as much as the disk itself? meh]
Jim (@jimgoldstein)
I was at the last concert in Carrboro, NC, and that's /exactly/ what I got that night. It was electrifying. I wasn't sitting in a chair watching someone perform as though there was a glass wall between us; I felt part of something bigger, something inclusive that meant that I got to give something to the show as well as receive. That's important. I got to sing along, not just like you do in the car where nobody can hear you, but /really sing along/, feeling as though my voice was part of the performance. I got to talk and throw out ideas, and everyone around me did the same thing, and it was gorgeous. It was organic and a little messy and vibrantly alive, and it is, to date, my favourite concert, ever.
That's important. And if having that experience means showing my appreciation directly in the form of cash handed out, then I'll do it. It's more than a fair trade.
By the way, I don't seem to understand the system in whole yet. Where do the money one paid for a wkap cd at the gig go? To you or to your label?
Awesome post.
I like the idea of directly giving you my money. I would directly give you my money if...well, I actually had any money (not poor student, or poor artist, just poor). I did buy a signed copy of your CD while you were performing at the Big Red Door in Edinburgh (I was the one telling my friend off for yelling at you that your crap while getting bad looks from everyone else for also hugging his arm), but I don't know if that went to you or a record company and I also realised after I probably paid less for it there than I would have done had I wandered to HMV the day later and paid for it unsigned.
And, to be honest, you're giving people something for their money and making them feel part of it. Laying down art in front of them and telling them they can take a piece home.
One thing I hate about other performers is when they're performing they have to put on some 2D persona of themselves and you don't do that, you're yourself and beautifully unafraid of that. You actually stand there feeling like your getting to know someone.
That is all.
There is nothing quite as awesome as being able to participate in the creation of something larger than ourselves, and I nearly always get that moment at a show. I buy CDs at shows, both because I prefer physical formats and because I know that artists get more from those sales than the ones in Walmart. (Or perhaps, artists get the same amount but I'm still paying slightly less and Walmart isn't getting anything.) If I could give the $10, $15, $20 etc. that I pay now to see a show directly to those artists, I don't mind doing that. Heck, I spend more than that now and they see far less because of ticketmaster. I bought a ticket to a show last week. I paid 60% of the ticket price to Ticketmaster in taxes and fees. I can't be the only person who thinks that's ridiculous. Good on you Amanda, and, if you ever manage to wander by my neck of the woods, I'd be happy to toss that money into your uke case. :D
and at the end of the day you closer to your fans than any of the bigger artists( coldplay u2 and all the others)
and they have to live with the lack of respect from there fans .. you don't your true fans will back you 100% 100% of the time!
There seems to a weird perception about art, that somehow the world could do without it and that artists are just playing around. I don;t think people realise just how grim a world without art, music and literature would be. Artists deseve more that we can give them, so throwing someone a couple of bucks for making my world a brighter place doesn;t seem like such a stretch.
The only difference with this is that you're the busker everyone knows, who doesn't have to stand on the street corner anymore because there are enough people that she doesn't have to be constantly trying to goad passing tourists into handing over a couple dollars to the curiosity that is you. In the end, though, every single artist out there - musician, painter, writer, actor, whatever - has a hat out in front of them. The only difference between you and them is that they have someone else passing the hat around for them and you've decided to do it yourself.
There are not words for how much I admire you for that. For how thankful I am that you're doing it. Because you're right - you standing naked on your soapbox with your bullhorn and hat makes it easier for me to step forward and shyly ask if maybe I might be worthy of a bit of spare change as well.
Not to mention - it's working for you, clearly, whatever the critics may say. You're managing to live off your art, and you should be fucking proud of however you manage to do that.
If there was something wrong with what you were doing, it wouldn't be working.
Die Einstürzenden Neubauten have produced albums that were financed by fans. Basically, you subsribe to their club and the collected fees are used to produce the album and the members of the club get exclusive first dibs on the album, some are even club exclusives.
As for the auctions... People do not have to buy if they do not want to. If they *do* buy, like me, it is a chance for them/us to get hold of stuff that cannot be bought in shops etc... and know that we are directly supporting you in your quest to make great music.
Do not feel that you have to explain yourself, I think you have got the right idea. If only more people thought your way.
Thank you for taking the time to be amazing to your fans. I am grateful and will continue to support you in any way I can.
Much love...
-Brogen (Ireland)
You are like Jesus, in that you don't shun, or turn away the people who don't give money, or who send hate mail. You "hug" them and let them have their opinion, and you continue on "your" journey. I love that...it is no longer WWJD, it is now WWAFPD!
I like that your friends are honest with you and tell you whats being said too.
You sure on that one?
"can i get a fucking amen?"
No, of course not. If you really believe in what you're doing you shouldn't need one.
And if people accuse you of prostituting Holly again, here are two words for them "box social." Have 'em watch Oklahoma. Shoot, my grandparents' first date was a box social. She was dating another guy, my grandfather wanted to date her, outbid the other guy, and voila.
“No woman but a blockhead ever performed, except for money.”
(With apologies to Samuel Johnson)
The "producers" really produce very little. The record companies are middle men, stealing the earned income of the artists and paying technicians a tiny drop of the huge profits they reap.
Keep up the good work.
It's the struggle in a world that changes faster than the Record Labels, Broadcasters, Publishers yada yada can keep up with. How do the artists keep afloat?
We're shifting back to the artist selling direct, just how it started... why? because a corporation can't turn on a tuppence (or a dime) and many have refused to embrace any methodology than "the way we've always done things".
So ditch the rule book and start again, "Rip, Remix and Burn"
Keep it going, make mistakes, shift with the rest... and eventually we'll all have a new model for making things... thanks for helping lead the pack!
A-F***ING-MEN! :D
I enjoy your music. You get my money. The more directly the better.
I can't wait for future webcasts and will gladly donate. It's also good from a fan's perspective to feel like your purchases/donations are making a difference to artist herself, rather than just feeding a corporate machine and its ever 'hungry' shareholders.
So when is the next AFP record coming out so we can send money your way? :)
I love the idea of a tip jar for those artists who have had there music downloaded. It would absolve some guilt and provide extra income for the artists. Every website for musicians should have one in my humble opinion.
I have a few acquaintances and one good friend in the music business. The genre: raggaeton. You would not believe how many headliners are absolutely, positively broke and in debt to their labels. They make a CD, get an advance, and owe against that advance until at least their junior release.
Art, music, and writing might be beautiful, but definitely, they are not free. Beauty might look easy, but it's hard work, and I know that I, myself, as a writer put far more hours into my work than I get paid for.
Keep doing what you do -- and keep letting people know how it is! You're incredible!
Ochani Lele
And finally, every single person who decides to buy something from you - whether that's a date, a goat, a CD or a used Q-tip - they all do it out of their own free will.
Melodyg
Personally I love your music, I love you and I would never argue about paying for the privilege to hear your work.
xx
Yesterday a colleague forwarded me an e-mail from a woman who had seen one of my woodcut prints at an event and couldn't get it out of her mind. The woman practically gushed out her whole life story as she rhapsodized about what the print meant to her and how much she must buy it and blah blah blah. So I wrote her a nice note, telling her a little more about the piece and the series of work it came from and letting her know exactly how she could acquire it or see other similar pieces in the series. When she found out the (very reasonable) price, she shut right up. A lot of people don't have a clue just how hard it is to make a living as an artist when even the people who lovelovelove your work won't pay you a fair price for it (and have the option of consuming it for free).
Ignore the heat from people, they didn't really deserve this blog from you, but the rest of us all appreciate it just as an insight into how you think.
I'm somewhat ashamed of the fact that the copy of your album I've been listening to was given to me (probably an illegal download) but once I get back to a stable address I will be ordering the cd and dvd. I don't have the right to take for free from my friends, my family, my neighbour or the artists whose work I like. And in every case, I think it is at least partly my responsibility to support those people to the best of my ability.
That said, I totally agree. I've bought 5 show tickets over the past couple of months, but only managed to use 2 of them (and got into one for free). Wish I could have got to the underworld gig. I fell asleep in camden at 11pm with the tickets in my hand.
I'm sorry, but you can't eat handshakes, and hugs, and accolades (I guess you could eat the former, you'd just need to have a fantastic story for the investigator). You can't pay your rent with whistles and cheers. I don't know why that's so difficult for people to understand.
The industry is changing, Trent knows it, Radiohead know it, you know it.
not only that, but the way you're approaching it is ultimately the fairest way of all.
The truth is that now music is free, whether we like it or not. once something is released, ANYONE can have it, if they so wish, without paying a penny. Finding other ways of offering something of real unique value is all any artist can do (or has ever done.)
You put an official cubic fuck-tonne of effort into pleasing your fans. you deserve reward for that.
And however in debt you may be (like the rest of us struggling artists) you're incredibly rich in not just fans, but friends. and its obvious from this thread that they've all got your back.
then why the fuck are you here?
Keep passing that hat, ukulele case, jar, wtfever love. I'll always drop something in and I personally know at least 50 people that would do the same.
Creation and innovation are two of the greatest powers in this world.
♥
Amanda, you offer something of great value to your fans, but as you know the music industry, independent or mainstream is a fickle bitch, people's tastes can change and you will find yourself with fewer fans than before ('cept for me - I'd never leave you!). But is the solution to constantly change your image to compete with changing trends? Do you market yourself in the traditional industry manner where you essentially *tell* people to listen to your music, buy albums, attend shows, etc.? Frankly, I love the fact that you haven't, but I worry that someday, your earnest independent method of promoting yourself and your work might hurt you as well...
... But I think you're right in trying out different methods to see what works best for you. Finding a good middle ground is always hard.
(A fucking great one, the complaining people are insane. They can't expect you to produce art if you can't fund it, or indeed your own existence.)
xo
regarding webcast: I would like to say thank you, from the bottom of my born in the Rural Mid-west heart that you would make such things available. While living in a pod is a frightening possibility, it is incredibly liberating to have even virtual contact with someone that you in no way could have possibly met and/or interacted with otherwise.
Amen!!! Preach it, sister!
By the way, the picture is so fitting. AFP leading the way in the artists' revolution!
Just keep doing what you're doing. There will always be a disconnect between people exchanging money for an experience. It's what you signed up for when you decided not to be...almost anything else. Swimming against the current isn't easy. Figuring out the value of what art is worth is a well-worn issue, but worth fighting for, in order to keep our culture moving ahead.
As someone who writes a lot of press releases, I'd keep the money part in; the press eats that stuff up. Just surround the information with innovation, so it's not idle boasting, but instead praising your own creativity in fund raising.
I feel like you would really enjoy Elizabeth Streb's ideas and principles, along with her amazing work. Come visit next time you're in Brooklyn. (I don't work for or promote Streb, just a fan who sees you both in a similar light.)
http://www.streb.org
Her new rules of conduct at her performance space:
http://www.artsjournal.com/artfulmanager/main/n...
bet by the time I have the money it will be sold out Poverty sucks.
Good Luck. I hope you make enough money today to consider the former.
And now I'm a fan of your thought process, too. ABSOLUTELY it's OK to put out the tip jar. Of course, it has to be OK for people to bypass the jar, too.
Keep writing . . . everything.
And now, MY tip jar . . .
Jeff Yablon
President & CEO
Answer Guy and Virtual VIP Computer Support, Business Coaching and Virtual Assistant Services
Thanks for the mention! If you listen to the WBUR segment or watch the video, you'll notice that Andrea cuts immediately from Wildman's quote about "devaluing human contact" to the VIP barbecue at my place... you know, actually interacting with my biggest fans face-to-face. If Wildman had hit me on http://youtube.com/matthewebel he'd have noticed that not only are the majority of those videos from live performances, they were posted by fans- not by me.
Believe me, I'd love to be playing for live audiences rather than a camera in my studio. I refuse, however, to play 3 hours of Bon Jovi covers just for the sake of seeing warm bodies. My fans are spread across the globe and aren't yet concentrated enough to support touring. Hopefully someday that will change, but I've found success (i.e. I'm feeding myself) at this stage via internet concerts.
Success, as I mentioned on my blog right here, comes in stages. You're quite a bit further along than I, but I'm sure you weren't always filling huge venues. Your stages look different from mine, but it's always one little victory after another.
I really appreciate your insight and feedback! Please let me know what you think, either by Twitter, blog comment, or you can contact me at http://matthewebel.com/main/contact/contact-form/
Pax,
Matthew
http://matthewebel.com
http://matthewebel.net
I spent the past week ruminating on your dilemma as it's something I face with my own fans- how up-front and open can you be without ruining the appeal of the artwork? Two of my most marketing-savvy friends and I talked about this on our 7-hour drive to PodCamp Philly this weekend too.
One of the conclusions we reached is that there's a threshold where talking about money becomes offensive... and it's impossible to really gauge that threshold until you've crossed it. Our best guess is that once your revenue begins to seriously overshadow that of your fans, it may seem more like bragging than being honest and open.
My own conclusion is that it's a matter of selecting the right channel- if your goal is to act as a beacon for other musicians (like me), save the raw numbers and "business" end of the art for the musician-oriented channels. When the CD Baby DIY podcast interviews you, talk about raising $10,000 from a webcast, but when you're targeting the music fans directly (via your blog, Rolling Stone, etc.), be less specific and focus on the art or the process.
I just picked up WKAP via iTunes for two reasons: I love Ben Folds' production talents and I wanted to hear what another piano player in Boston is doing that's so hot. Because I know you're riding the cutting edge of the music industry (like me), I wanted to support your efforts even though I'd never heard your music before.
I'd love to talk to you about the subscription thing I'm doing (that got the attention of WBUR), feel free to hit me up on twitter or http://matthewebel.com/main/contact/contact-form/
Thanks!
Pax,
Matthew
--
http://matthewebel.com
http://matthewebel.net
Thank you again for posting it, people who don't make art need to be aware of all of these details! And keep on keepin' on!
p.s. I love the statue performers I see in Harvard sq.. There was a beautiful marionette girl the other day but I couldn't afford to give her anything. Kudos for doing that for so long.
Ask anyone who's ever directed theater to set up a non-profit, and it'll get done inside of a week. Ask anyone in film to set up an LLC, and they'll tell you they're an artist.
Anyone who hopes to own their future in the arts needs to own their money, know where it comes from, and decide for themselves where it's flowing to. Why do you guys think every filmmaker who's making an impact owns their own production company?
Media is entrepreneurial. In fact, it's opening up to new talent. The tradeoff is that nobody owes anybody a damn thing - least of all a break. Film, music, and art in general has become about breaking out, instead of breaking in.
Thank you for being a voice of reason. Of course, that voice would come from Beantown!
Art through it various forms is being devalued by the disposable nature of today's society.
It's simple people, if you don't pay for the good things all you will have left is crap. Stop complaining and support the artists that you love if you want them to continue to create. We're going back to a patronage model that musicians used to exist under in the past. The difference it will be many smaller patrons contributing instead of one very wealthy one.
on an unrelated note, i was behind an Australian Federal Police car the other day and it reminded me of you. it was a very amusing moment.
(here's an example of an AFP vehicle: http://farm4.static.flickr.com/3493/3749269446_...)
I am a struggling performer (of the "worst" kind, as i am a dancer :O) and i'm learning now to pass the hat. LOVE your work!
I don't feel bad about the CDs anymore, i just know that I am going to buy direct whenever I have the opportuninty (oh and i'm sorry)
And I know that my friend was talking bullshit...the reason you are so awesome (for so many fans) is that you are a person, not some distant rock-goddess or a pin-up girl or just a name and an image. Sometimes people may see you as "shameless" or whatever but for god's sake...since when does becoming successful artistically make anyone perfect!
For teenagers like me, who dream of being able to make a living through whatever art form, it is so important to know this stuff, and not to think that it's easy.
I'll shut up now before this turns into an essay but I'm so sorry for not supporting you and your art as much as I could and thank you, Amanda. You're the biggest fucking inspiration I've ever known.
(oh my god, that was horribly gushy)
Much love,
A.
P.S: Some of the stuff you were saying made me have a revelation about something totally unrelated.
"BUT … i’d rather get the system right gradually and learn from the mistakes and break new ground..."
"i don’t care if we fuck up. i care THAT we’re doing it."
...Those quotes pretty much just changed my life and relationship with my boyfriend. Thank you, Miss AFP.
And that's a compliment. :-)
By the way - there are a lot of people over here in the United Kingdom who'd love to see you live over here... (hint)
I love the directness of your webcasts - we're spending time with you and if there are those who don't wish to donate to the tip hat, then they have the choice not to. Don't ever stop, this is a great way to move art into everyone's lives.
P.S. Met Holly and was lucky enough to spend a lite bit of time with her. She's fabulous, totally agreed.
-muffinhead
Though I don't know if I fully agree with you on everything, I like that you're outspoken. And the fact that you openly curse is a bonus.
You have a new fan.
Diane
and I've always struggled a bit with the fear that I won't be able to live off it. That I won't feel I can support a family on it if I want to have one (which I do somewhere down the line). That it isn't 'respectable' or 'right' and I should get a 'real job'. well screw that. I want to do what I want to do and you make me feel like maybe I can.
thanks Amanda. thank you so much.
Thanks for spelling this out. More people need to hear this!
From where I sit, - a touch removed, one of the commoners - I can see where the haters get their vitriol. You are beautiful, talented, creative and dating one of the most brilliant writers of our time. While I admit to feeling a twinge of jealousy at the fruits of your labor, you mostly inspire me to work that much harder. My unsolicited advice is to stay real. Once your sort your own shit out and extract yourself from that horrible record deal (and, let there be no doubt, you will), please think about giving to those who are where you once were.
Luck and love.
the naysayers just haven't realized this is how it's going to work from now on. i've been to about 10 concerts in the past 6 months, and every artist (with the exception of ones on independent labels) has said: don't buy our new album, we don't see a dime from album sales. instead, download our album and buy our concert tickets/merchandise/etc. because that's where we actually make money. and i lovingly oblige.
i love the idea of using twitter/webcasting as a venue. it allows people who really want to support an artist to fund them sans middle-person. i couldn't wait for my #lofnotc t-shirt (or my WKAP book) to show up in the mail!
i say: keep doing what you're doing! it's been working so far, and who is anyone to take that from you.
We're all trying to figure out what the new relationship between performer and consumer means, but I feel a lot happier about giving my $10 straight to the artist than some suit who's trying to focus group his way into millions.
Everyone is standing on a different kind of street corner with their hat out; what makes us all unique is how we entice you to put something into that hat. Some do it by being a diligent cubicle worker, some do it by spinning around naked on a pole. Neither is better or worse, just different.
I'm seeing some comments which are saying you are undeserving of our support because of your lifestyle- traveling the world and whatnot. The fact that you have been working the entire time seems to have been lost on these people. So are the finer points of the creative process, you cannot possibly be expected to create decent art if you are mentally drained. All this aside, I don't think you- or I- need to justify your desire to be compensated for your work. No one is forcing anyone to involve themselves in this act of tipping.
I will say this, though: Amanda FUCKING Palmer is one of the most gracious & giving artists I've met, and she makes it a pleasure to be a fan. Think of all the free shit she does for us before you start bitching that she's some sort of whorebeast for wanting to get PAID for her JOB. Being an artist does not always result in creating a tangible product, and as fans we are buying into a concept, the funding allows for the creation of more art. Think of yourself as a patron if you really need a reason to do it.
AMEN, Amanda. This post is my shining beacon right now. I'm a street performer; not a street person. This weekend I was shut down by ignorant mgmt at a festival that hired me as entertainment. In a most publicly humiliating and insulting way I was yelled at and scolded in front of my audience while performing (insert immediate relevance here) human statue, calling what I did "begging." I'm not a beggar. I'm a performance artist. I make my living. I pay my mortgage. I'm a professional. And I'm good. And in order to stay a professional, in order to continue my craft, money goes in my hat. It is for appreciation of art and skill, not for pity. But if you feel guilted into stooping to drop a fiver, I won't stop you.
Thank you once again, for providing me with indignant courage. In my world, shit is about to hit the fan. And I'm throwing fastballs... and half a Benjamin. Money well earned, princess.
Couldn't agree with you more about that. In fact, if you watch my presentation on Freemium, I argue the same thing! http://www.thegoodatheist.net/2009/09/what-we-w...
I'm toddling off to the DD tip jar right now. Thank you for pointing it out, I had no idea it was there! And tomorrow I go down to London's South Bank and I will put some real-life money in some real-life hats of real-life living statues. I promise.
This is what I give money for. This is what I believe in. You're doing what's needed; artist like you, I don't want to buy your albums. I want to send you the cost of the album doubled directly to you. And when you live normally or live poorly or live rich forever, it'll be because of you, and because of us. Thanks xxx
if you give money to a person, what reaction would make you feel better? "thank you very much, the money really helps me" or "...."? see? it's that easy.
http://forum.cubase.net/phpbb2/viewtopic.php?t=...
What I do know is your attitude as stated here in your blog.
My angle is that big companies dissed all downloaders .. as being freeloaders.
Some downloaders were being civilly disobedient. Some were leeches.
You are sorting the wheat from the chaff. You will get opposed not only by leeches but also by company shills, because success in nurturing the new paradigm beyond teething stage will re-empower the artists beyond what the bigger companies can tolerate. I fight the same battle in my own arenas, throw you a salute and get back to my work.
All my Love,
-Shelby
to a society based around the idea of _gift-exchange_.
it is up to us artists to _initiate_ the exchange of gifts,
by putting out our art free for the taking, and then for
appreciative fans to reciprocate with gifts of their own,
which might -- or might not -- be monetary in nature.
i think you've got much of this equation down, amanda,
and i congratulate you for articulating it so eloquently...
i do think imposing a sense of _obligation_ on fans might
be a bit unwise. if we're truly giving them a _gift_, then
we need to face the fact that some will not gift back, and
prepare ourselves to be cool with that... (of course, as a
former street performer, you know that many do decline;
but it's important to separate them from your actual fans.)
but the people who do "pay artists back", with gifts of cash,
will help us overcome the greed that's so prevalent today,
and together we will all create a better world.
-bowerbird
Ms. Palmer, may I call you Amanda? Fucking I think is a little too personal. Amanda, I would like to contract you to produce a fine musical product that (one day soon) I can purchase and enjoy.
Sincerely,
Roger Benson
x
Indebted,
M_Pony
it's not YOU who invented the "no money = no chance to live"-system that we encounter (momentarily...) ...so nobody has the right to blame you for asking for pay...
it's not YOU who invented the "no money = no chance to live"-system that we encounter (momentarily...) ...so nobody has the right to blame you for asking for pay...
*nod*
I see no problem with you asking for money, you have none to spare and it's quite honestly just... who you are. Starving artist type (in a good way, not the usual starving artist... which is not bad but I don't think you can really fit it....). You're Amanda Fucking Palmer and that's all that we need to know.
If you weren't fearless and original in everything that you did, I wouldn't like you. Simple as that. You are you and I/we love you for who and what you are.
So while maybe showing a little discretion like you are advised by your friends and coworkers could be prudent, I don't know, it's up to you. I am happy to give money to you when I can, and it lets people know about your predicament.
"i, of course, could not yell back. i was a fucking statue, statues do not yell."
^-- My AFP quote of the week along with what you wrote on my DVD (which I am utterly in love with, thank you so much for doing this personalization and well EVERYTHING for us! We love you :])
Warmest Wishes
-Greta
What I really don't get is why people care so much about how you get your money. You have to practice/play/write and learn songs all the time. You put more unpaid hours into your work than anyone else. I don't sit at home going over how sandwiches are made, or the prices for different combination of food after you add in tax, I leave work in the work place, but your job is your life. It goes with you everywhere. Even if you aren't practicing, or performing, or writing, if a fan saw you in the street you'd still greet them. You'd sign something for them, maybe chat a little.
As long as fans are willing to give, people should let them without a word. It's not like your holding a gun to the piano and saying "give me money or the music gets it."
In a way, you're a friend, you need cash, and we loan it to you knowing that you may never give us the cash back, but you'll return the favor somehow. You give us inspiring music, a tweet to smile about, a blog to read, and change our lives in so many ways. Why wouldn't we want to spare you a few bucks? Or any artist for that matter.
Signed,
A fellow starving artist who only barely has the guts to ask for money sometimes...
She did. She coughed up a significant chunk of her own money to get her last album out, and now she's asking the people that enjoyed it and enjoy her performances to help her recoup that loss.
I don't think it's unreasonable to say 'if you like it, give a little', and I'd like to reiterate: the romantic ideal of the starving artist is a stupid and anachronistic concept.
Besides, she's asking for small change, not hundreds of dollars.
MAKE YO PAPER BOO BOO
its a hard knot life
and you r VERY talented, its y i purchased your album, i love you and brian and i hope you do have a memphis show one day
And to the fans that are complaining about the economy: yes, everyone's in the financial shitter right now. I'm a college student, I know what it is like to have to choose between food and art. I shelled out the 25 bucks for a ticket to Amanda's show because I would rather have to eat rice, again, than miss out on a opportunity to gather with thousands of like-minded people and enjoy art together. But to judge Amanda because she has found a job that works for her is insane. You are letting your jealousy, not her "greed", taint the art.
Amanda, you have been an inspiration to me for well over 5 years. I would much rather give you, my money, see exactly where my money is going, than give it to some middleman.
And when I go to your show in November, yes, I will buy a shirt and yes I will buy a book, and I will wait in the cold for an autograph because that's what concerts should be about. Not shelling out 400 bucks for a ticket for an impersonal experience.
Artists should be paid for their work. Artists should be able to eat. Artists should not feel shame asking to be compensated for bringing joy, heartache and entertaiment to the world.
Amanda was a great statue in Harvard Sq.
i want to be just like amanda when i grow up.
:}
you're a gigantic meathead.
Did you get the marking pen graffiti off your face yet?
What does your Mom think of the "F" in AFP?
grow up- hope you drown in your tea
Its sick kids, poor people with mental health problems in 3rd world countries dont even have the opportunity to eat once a day or work yet our money should be sent to you..
If you want to say Amanda isn't deserving of being paid for her work, then neither are you for whatever the fuck it is you do. If that's how you see life you should be asking your employer to send your pay cheques to the starving people of the world. Being a musician is her job, she deserves to be paid for it, all she is asking for with this blog is that fans pay herdirectly rather than through record labels etc
Sanks.
:)
*waves hi from the US*
E.
Stay awesome, stay true.
Amanda Palmer, we love you.
Who's asking Jay Z, P Diddy, U2, and other MEN to apologize for the money THEY make? And they make a HELLUVA lot more per pop than Amanda Palmer does.
People who say you don't have a right to expect pay (and blast it if you want to) for the work you do are sexist.
2. People are not being forced to give money. Those who value artist accessibility are being provided the chance to buy into it.
Amen!
I do plan (and things like this from you and LOTS of webcomic artists solidify this plan) to definitely give pretty good amounts of money either through product purchase or even direct donation once I do have the money. I am not a person who likes to buy things (giant tvs, useless trinkets, etc.), but I do like to appreciate work that has been done that I have enjoyed.
The nature of art and the way we connect to art is changing. You're at the forefront of that and for that you should be proud.
Amanda, I recommend you read this. It's about the morality of money. http://www.quantumlounge.com/data/money.htm
"i believe in the future of cheap art, creative enterprise, and an honorable public who will put their money where there mouth is, or rather, their spare change where their heart is."
mike (unregistered) wrote: I find it sick that people are dying in Africa and India and dont even have the opportunity to get a job at mcdonalds or cutting grass but yet you who are fully able to get a job at mcdonalds or any landscapping job gets on here and asks for donating money because you are an artist and need to eat to keep making music.. I am on a personal journey to stop any donations to you. Its sick kids, poor people with mental health problems in 3rd world countries dont even have the opportunity to eat once a day or work yet our money should be sent to you..
////
How about, instead of using your energy on stopping donations to Amanda, you maybe put all that energy into directly helping those people you are so concerned about?
You should really start a campaign to start feeding these people and giving them oppurtunities to grow. You need to rise up and shout from virtual rooftops how your heart is sooo big for these people you want nothing more than to see them fed and to live a hearty life.
If you care SO MUCH for third world countries you'd stop at this blog and use your energy to type up your thoughts you must have SO MUCH love to give to our third world friends. So...instead of espousing your drivel, go do something to directly help them to make up for the funds being lost to support a loved artist.
Thanks for getting this out there. The patronage model IS the new model for this business. What's funny is it was the ORIGINAL way things happened for artists and fans for hundreds of years and it never went away, just ended up with a lot of other middlemen in the mix, many of whom did the whole art form a huge disservice.
I've spent the last 7 years of my life educating artists about going direct-to-fan and giving them tools to build a sustainable career doing it. It's been an uphill battle, but the light is now breaking through and it's the fearlessness of people like you that will move the industry forward.
Patrick Faucher
CEO, Nimbit
People are weird about money whether they have some or they don't...it's a powerful thing, it is universal reinforcement and the subject of twelve step groups... I think most people are more twisted about money than they are about sex and that's saying something.
You are a talented musician and probably more important for making a living in this day and age, a talented entertainer. I do hope you take some time out of your day to be grateful (In saying this I'm not suggesting that you do not) No one deserves anything in entertainment anymore...it's all earned.
Safe travels,
R
the best irony in this situation is when you have bands who complain all the time about no one buying their records, and being in debt because of it, and then they go home and pirate an entire bands catalog. i live with some guys like this. we're all musicians. and if you believe in free art, don't complain when no ones volunteers to pay for it. but, if you accept the fact that art has value, and that by supporting artists you enable them to increase their artistic output, drop a dollar in the hat! karma has a funny way of returning the favor.
-jon
fatty acid
www.fattyacid.bandcamp.com
Congratulations on sticking your neck out where someone's neck needs to be stuck!
This country places such a low value on art (in all it's forms)- it's sad. When I tell people that I'm majoring in studio art, the first question I'm usually asked is "Well, how are you going to make a living?" When I tell them that I intend on making my art my career, they tell me how no one pays for art, it's a luxury, not a necessity, etc. So are a lot of things, but we buy them, use them, do them anyway. I don't understand why success is synonymous with "sell out" in so many people's minds. You can make a living without compromising the integrity of your art- just look at history. I do believe that the fundamental aspect of art is and should always be about reaching out to people, communicating, making a statement. But no where is it written that to do that effectively, one must be poor. Artists take no vow of poverty. True, I do feel that artists must never lose their connection with the people for whom they create, and money can do that. But so can fame, love, loss, frustration, anger, poverty, desperation, and the rest of the spectrum of millions of emotions and situations and experiences. A few years ago, around the time I realized that art was what I really wanted to do with my life, I began making a conscious effort to support artists directly. Actually, the last three things I've bought were a poster from your webcast, something from Kim Boekbinder's Twitter yard sale, and Zoe Boekbinder's new CD. I'm going to one of Zoe's concerts next week, and I know I'll be getting something from the merch table there, because I like her music and want her to be able to continue making it. To me it's a very simple thing, and a very necessary one. I believe firmly in the concept of "pay it forward", and I can only hope that when I'm out there trying to make a living doing what I love, someone will do the same for me.
That includes not being afraid to put out the hat.
Ignore the bullshit. Labels, ticketmaster et al haven't added value in years. You're at the fore, driving the necessary change in the industry. Like it or not - downloading is the future (whether for free or for a v nominal fee) and you gots to make money somehow. You're fortunate enough to have a loyal fan base who also get it for the most part, which is how you've been able to pull it off. Hang in there!
A-FUCKING-MEN.
Fans will support their favorite artists if they want to. I appreciate the forthrightness of how much money she's making...Not like any of us actually need to know, but she's showing how her fans directly support her. I suppose if she didn't tell us how much money she is making off us, you would feel as if you're getting shafted by not being entitled to that information. Don't cry that you're being being taken advantage of. If you want to be supportive, do so. And if you're not being supportive, kindly shut your mouth because it's not your money. As long as I know that my purchases are helping to bring another album or show my way, I'm cool. If I see that my(and others) support does not help promote more music/art goodness, then I guess it's time to jump ship. I don't mean that to sound like a big jerk. It's a cycle. Art begets money(sometimes), and money begets more art(sad but true). When the latter no longer applies, I feel as if my part is not important anymore. I feel like this blog could have been addressed differently, but that's just my opinion. It comes across as a little harsh. As someone who doesn't show their support in large monetary ways, it makes me feel a little bad(maybe it's not meant to). I just feel like anyone who is directly supporting through auctions/tshirts/shows/donations, should not act so offended. You were a willing participant. You can't cry 'rape' when you supply the rose petals and handcuffs.
I also feel like sometimes the least supportive fans come across as the most needy. She doesn't owe you anything. She's an artist, it's her job. She also happens to take time for her fans(awesome). Some seem quite insatiable. If she spent every waking moment with her fans, she would have no personal life, and no more music for us to listen to. I would never expect a musician to spend as much time on their fans as much as Amanda does. God forbid she make some money. She could just stop making music, and do something that pays much better and not have to be told she's not kissing enough ass for her salary.
^^^this was meant to be sarcastic.
The point was that she could stop spending her time making music, doing what she loves, and what we love, but she doesn't. She doesn't owe her fans anything, but she spends a lot of time trying to keep them happy. If someone became a fan because of the music, then shouldn't the music be enough? It seems like everyone wants more. Why this artist? Why Amanda Palmer? I feel it is because she gives back to her fans in many different ways. Not because she has to. Emails for threesomes, some girl getting pissy about amanda not 'following' her. Geez. Why do certain people expect SO much? She's a musician, she's an artist. She is not your booty call, she is not your best friend. She is an artist that takes time to connect with the people that support her. That's so awesome. Amanda Palmer is not here to validate your existence, stroke your ego, kiss your ass, be your bitch, follow you, or sleep with you and your significant other. She makes art for christ's sake. Last time I checked, we all buy cd's, tshirts, memorabilia, and posters of bands/artists we like. No one has a problem spending $25 on a Metallica tshirt. Why not? You probably don't think "I'm supporting the band." Instead you are "sporting the band." AFP merch is the only stuff I have bought, that I actually feel goes to the artist(And I get a cool shirt, and stuff). She puts herself out there, and she gives you a face/person to put with the name. She would make a lot more if she got paid a salary for the PR she does.
I'm just not sure that a second job would be so practical. It seems if she's not touring, she's practicing, writing, making a book, putting out an album, making music videos, keeping us all in 'the know', also webcasts, auctions, merchandise. So taking into account, what is probably a very hectic schedule, a second job would most likely not be as profitable as working on endeavors related to her music career. I feel as a musician, it's much like owning a business, but the product you are selling is yourself. "You have to spend money, to make money." Traveling helps to reach out to her fans (and prospective new fans), in areas that aren't in close proximity to Boston. I have to say that all of the work she's doing, is in her best interest. $10,000 during a webcast auction of absolutely willing participants is less time consuming than trying to pick up another job, and still stay faithful to her passion for music, and 'obligations' to fans. A non-Amanda Palmer career for Amanda Palmer, means less Amanda Palmer music/tour for the rest of us. It seems like the general consensus is that there's a pretty loyal fanbase, with no qualms being supportive, and helping to fund future productivity. I think it's that a lot of effort/funds is needed to take everything to the next level. I don't think anyone can disagree that she puts a lot of work and dedication into everything she's done/is doing.
^^^all disorganized and stuff.
I think the problem is who you are. You are very open and will say things without thinking. You have very little shame. You're not super friendly or super nice. I had been a fan for years, but the first time I actually met you I felt like a burden on your life. I was so jaded that I mostly ignored anything AFP for a year. One day I realized that it was just who you are. Should I really have expected AFP to be someone that would shake my hand after a concert and thank me for buying her products and attending her concert? Should I really have expected AFP to even have the smallest exchange of words with me? Should I really have had any expectations of her? No, I shouldn't have. I expected someone that wasn't who AFP was. I was expecting someone that didn't make the fabulous type of music that AFP makes. I realized that I still love your music. The world would be missing out if I stopped listening and contributing to make that music possible. I will keep on supporting you as long as you keep on doing the amazing shit that you do.
And come on, people - name me one artist you respect that isn't capable of working in multiple media? I was, personally, shocked that my university didn't consider business management an essential part of the course I took - especially given the political/financial climate of the time here, and even more so now.
Sorry if this has all been said before - am too tired right now to read 415 comments. Damn glad to see there's a huge response here, though, and can't wait to read through when I've got m'brain back
And if you manage to get really rich that way: A lot of people are getting rich with very very dirty hands or by funny tricks on marketing and clever contracts. If I see one day my AFP on her own yacht with a cocktail in her hand, earned by giving your art and so much of yourself to the world, it will just feel right.
did you typo that and mean subjective? Given the context that it wasn't immoral to you or to Holly? (which, frankly, is all that matters)
Personally...
I don't have a problem at all with you asking for money. If it gets a bit like demanding it, then perhaps. But, as well as the practical terms of needing to support yourself in order to produce the art we all love as a result, I (think?) you're also doing this because you want to change the way things are done currently and would prefer a system where the money goes straight to the artist, skipping the middle men.
I very much like this idea.
And not just for music, either.
And the interwebs is a brave new medium for that kind of stuff to work, in terms of direct distribution etc etc...and the way you've been doing your webcast auctions and using twitter to form impromptu concerns and so on...
I think you're doing the right thing, with all that stuff. and as you say, not just for you (though that's certainly a part of it) but for the people who'll come after you. It may not turn everything on it's head, but it's a start, and shows there are alternative ways of going about things. This is a positive thing.
And there's always going to be haters with anything new or different...(well, there's always going to be haters.)
I guess the money feeds you. Feeds the need to be wanted and appreciated and loved. Those who can effect change, do, those who can't, paint themselves white and call it art.
peace,
the former
I've re-tweeted this blog, listed it on my own blog - http://www.hannahoreilly.com/?page_id=9
and also on my useful tips blog on my Collectives website - http://www.audreymusicgroup.com
Rock on, fabulous woman!
x Hannah O'Reilly
singer/songwriter/rock chick
http://www.youtube.com/watch?v=SBXOwWC48PM&fmt=22 < audience sticking up for artist, a video to get you pumped
Just wanted to say that I loved your post. I think I was one of the people who was going down the route of "my god she's begging for money AGAIN... that's getting old" and your post completely made me do a 180.
Your friend Jason would have been right in pacifying me had you agreed with him to not post dollar amounts made on your last webcast, but you posting your last blog helped educate me to the real life facts of the working musician.
I believe you are right in trying to change the way the music industry is run, and though the road may be rocky, you have converted me into believing it is the right path to be on.
I wish you love and success in all your endeavors, and I'll be buying your CD's directly from your website from now on. :)
Also... COME TO VANCOUVER, CANADA!!! :D I want to see a show but you're only doing East Coast stuff. :p
Forever a fan,
Michael
wow! boo-fucking hoo. i'll cry a rainbow of butterflies for your violin life.
I know I already commented and you may not read this, but if you do-- I want you to know how far this blog post has spread.
I was sitting out at a dinner/party for my best friend and "older sister's" going away/PhD earning. It was basically just our close-knit group from our bellydance community, but within the eight of us present, we had insane diversity. From me, the youngest, who adores your music to grad students and chemistry teachers to professional photographers. I was listening to the other half of the table's conversation (I'm not sure if we were still talking about strip clubs or if we had moved on to chocolate...) when I heard one of my friends say "I think her name was Amanda Palmer?" I turned quickly and asked her "Wait... AFP? What about Amanda?" She said that this woman had posted a blog recently about artists needing to make money, but that this woman "Amanda FUCKING Palmer" (the middle name spoken with obvious derision) had made some very VERY good points. It wasn't written, as she pointed out, with the greatest attention to detail, and it was commonly broken up by a curse word or several, but she thought that it was a good essay overall. That was the starving dance teacher and college tutor. Then the photographer chimed in, "Yes, it was a very interesting article that I certainly agreed with. A lot of the points were very meaningful, which was WHY I REPOSTED IT A FEW TIMES." There was a bit of conversation about your lack of care in capitalizing your Is and about the swearing, but I quickly pointed out that this is simply who you are.... it is filled with your distinct voice which is conveyed by each little thing in your diction and syntax.
The point of the matter is:
We all came from different walks of life but the article impacted us each in our own ways, and led to some of us reposting it. Also that if bellydancers from a small town in the Midwest are hearing about you and your blog... you made a REALLY fucking good point and so it got out.
Good luck. I hope this continues to spread :]
I've just started in performance art, and I've found that there are a few major factors that lead to this situation we have now of artists not being able to afford what they're doing:
1. Society doesn't value art as something that requires compensation - "if you love it you should do it for free"
2. Accepted means of getting compensation - "get a job" - take away valuable time and energy which could have been channeled towards the art; this time & energy makes the difference between "good" and "great"
3. Other means of funding, such as grants, are often arcane and attempt to put bureaucracy on something as free-form as art
4. The things that would greatly improve your art and the chances of supporting yourself on it cost money. But you need them so that you can earn more money to support yourself!
5. Many artists, frustrated at the system, lash out at the fans - "why do you download our MP3s illegally?!" - and call for a return to the "old days"
6. The fans revolt from people assuming the worst about them
7. People fail to acknowledge their privilege - if you can go online and listen to music, you are tons more privileged than most of the world - as well as things like how US dollars go a lot further then Malaysian ringgit, thereby assuming that the only good fans are privileged ones
Instead of lashing out at the fans (you're doing a good job of NOT doing this, but I was so disappointed with Darren Hayes when he wrote some blog posts alluding to it), recognise that you're both on the same side of the dilemma; you want to support the creation of art, but find it hard to be sustainable within current society. Collaborate with your fans! Find creative ways of getting their support. Make it EASIER for people to support you - no need for hoops! Work together, find solutions, not problems.
Best of luck :)
I love giving the artists I love my money, but there's something especially satisfying about giving money to you.
and thankyou for making me a stronger person:)
(i just ordered the wkap book + im so very excited eeee)
Needless to say, artists of all types have gotten the shaft since time immemorial. I draw a line of corelation to the amount of equipment you bring to the table - the singer get's it hard, cause all they bring is their vocal chords... and let's face it, Bill Wyman never would have been a Rolling Stone if he hadn't had a PA in the early days... If you happen to have a Panovision camera, I promise you'll stay busy and well fed.
So, to make a sophisticated piece of music and get it to the public takes a fair bit of kit - of course this was more true in the past. It's obviously more realistic to get off the ground with a laptop and a few bits of semi-portable gear then it used to be.
I'm not sure where the slice divides, cause I'm not there - but maybe weigh in that some of the best (and, by best, I mean "Timeless") music ever made, from Johnny Cash (and, others at Sun) through Motown, The Rolling Stones, etc., ws made under the studio model.
And the oldies (like Mozart and his band) we're also heavily subsidized, and probably didn't have to do too much of their own PR. On the other side, Brian Eno's done his own thing, with his own gear, and seems to have done OK. But, what will history say of him? Will my kids listen to him in 20 years?
So, the (ok, "a" - one among many) question is, though the Cover Charge and various other economic instruments have always filled the change purses of the working musicians, is the comparative luxury to create while the Suits worry about tour logistics, PR and merchandising leave the artist with more time to do what the fan really wants them to do - create music?
http://www.youtube.com/watch?v=4GbDa2UnAO4
Have you have seen what Kristin Hersh is doing to make her situation sustainable? If not http://kristinhersh.cashmusic.org/
KH drops a song every month for free and people voluntarily give a donation. There's a few other bits to the "business plan" such as sponsorship etc, but it seems to work for her... it is difficult being altruistic and sustainable !
Ta Ade.
http://www.lulu.com/browse/search.php?search_fo...
Have you have seen what Kristin Hersh is doing to make her situation sustainable? If not http://kristinhersh.cashmusic.org/
KH drops a song every month for free and people voluntarily give a donation. There's a few other bits to the "business plan" such as sponsorship etc, but it seems to work for her... it is difficult being altruistic and sustainable !
Ta Ade.
But I purchase your art. Because its worth it.
People don't understand. They don't care about shelling out 20 plus dollars for the pabulum that the big companies regurgitate every year but they balk when shown a hat to put a self-monitored donation into - that goes straight to the artists - that they are looking at and who are really sounding like that.
How do you know - cause they're standing right there making the music/art. You can HEAR them, you can SEE them. HELLO? This is what used to be called a "Performance" and it's done all the time by great people with amazing talent.
People let's not wait to be given permission to enjoy something. It's not up to djs, vjs, companies, or even your friends, to decide what you like. What moves you. What you enjoy. It's up to you. And if some art is moving you then give what you can to the artist so they can keep on doing what they're doing.
Amen indeed Amanda.
Sam
check out this article on how they still make tons from royalties of their shows, 40 years later.
http://www.bloomberg.com/apps/news?pid=20601088...
I think record companies take the piss these days, they take money for doing nothing but making an artist sound shit, look at The Killers, awesome first album, got the grip of the record company round them and then the second album was dreadfull. Whereas with the Dreden Dolls and AFP I havent listened to a single song you've created and thought "ewww thats shit" infact I fucking love every song you guys make. I think the main reason is you don't have a record company telling you what to do so you make music you like, not necessarily what the listeners will like, and I respect that alot, it takes balls.
I wish I could have donated more but I have dropped $30 into your hat and gave you a wave as you are rocking out being a statue, a robot or playing the ukelale on your e-soapbox on the super sonic sounds of the internet.
Keep up the great work, it's a shame your not doing a Massachusettes gig when im over at the end of November, would have been wicked rocking out in your home state.
Over and Out From Fraggle
That kind of old way of doing business only propagates the same crap over and over. It denies the public access to the true artist, and it denies the artist the ability to create a pure thing.
Anyways, just my two cents. I doubt you remember, but back in oh say 2003/04 I was at one of your concerts in Providence in which you were selling and autographing your CD's.. I was so excited I left my credit card with you!!! I did manage to get it the next day from the bar, but I really appreciated that kind of interaction. I know the audience has gotten so much bigger, but your determination to involve the audience and create those intimate moments (ninja beach for example) really amaze me.. and THAT is why I would rather give my money direct.. it just makes for better people on both sides.
Looking forward to seeing you in Falls Church!
Gabriel
it's been a busy day and i just noticed you wrote a blog on such an interesting subject.
i've just made a print of this story so i can read it at home tonight in some peace and quiet.
i'm a live art performer myself and i've got a strong feeling you're about to inspire me again.
i'll let you know.
all the best from tilburg, nl
P.S.
I'm very interested in joining you concerning side acts, i read somewhere you were looking for live art performers ?? I can definitely add something great to that but I'd like to ask you.. do you think it is worth it for me replying to that subject when I'm living in Tilburg, Netherlands and I don't have any money to book flight tickets ??? It sounds so out of reach but at the same time it sounds like the place to be...... I hope you can answer me. Thanks for taking so many great initiatives.... you keep killing my artistic insecurities with the only thing remaining; working hard and just fucking doing it out there and creating entertainment and giving it to demn people ! thanks. Levi
Personally, I have loved the opportunity to buy mechandise, souviners, props and costumes that would othewise have just been shelved away somewhere, out of reach of my grubby little hands.
I'd love the opportunity to buy more Random Crap from artists I like!
(Is Neil planning to do a webcast auction, by any chance......??? Please????)
amen to you miss palmer, a-fuckin-men
Peace,
Richard FUCKING Thomas
Neo-noir fiction
http://www.whatdoesnotkillme.wordpress.com
There's criticism of Roadrunner, and them not promoting the WKAP album. I don’t know the details of her experiences with them, but promotion via marketing & advertising is BY FAR the greatest expense in the process of releasing records. Contracting (usually external) PR people and buying advertising space in magazines, etc usually costs many, many times more than the costs of recording the music, pressing the CD, etc. Irrespective of who makes the decision - whether it's the artists themselves or a label - a call has to be made as to when that huge spend on promotion becomes a negative outlay - ie, you’re spending more on it than realistically you'll see back as additional sales. Usually a label will (or should) shoulder a loss to promote a new artist into public awareness, and hope subsequent releases will need less promotional outlay once a fanbase is established. In Amanda's case (and I repeat - *I don't know*) maybe a heavy promotional spend wasn't deemed efficient due to the existing strong fanbase? If it returned a loss, that's then less money to Amanda to do what she does, and that's what we're talking about here, right?
The DIY thing has been going since the orig punk days, and getting fans & friends to help do things at grass-roots helps massively, and DEFINITELY the way forwards. But advertising & marketing is usually where you find you can’t call in favours or mates-rates, and you do have to start throwing rocketing amounts of cash around. When Amanda releases her first independent album, that's going to hit her, and I hope she has experienced people who can do projections, accounting, offset Distribution fees, etc. I didn't. I ran a label between 2001 and 2007 - the artists did the music and I did the cheque-writing, and we all slept in a van after gigs rather than put a hat around for hotels or whatever. Even so, I'm likely to still be paying off the (mortgaged) debts it ran up 20 years from now. I hope Amanda doesn't "live beyond her means" artistically, as we did, and she can carry on making her wonderful music for decades to come.
Just thought it worth putting across the other side. :)
http://gloriamundi010.livejournal.com/170364.html
Thank you for writing this, and for doing what you do!
B
It's gotten to the point I'm selling off what I can and doing something else. Whatever I do with my photos and stories, I will do for me. But right now, I rather eat raw food, walk, yoga, read and another business. Thanks for all the lip service, thanks to all of you gushing how much my photos have meant to you but you couldn't fucking lift a finger to help keep my archive alive and in circulation. Fuck you to most of my "fans" who do nothing but give me lip service, use MY photos for your Myspace ID, bootlegs, whatev and think it's fine that I live in dire poverty for my photos.
OR because so many steal my pix or just as bad, NEVER credit photographers (that is addressed to MAJOR book and mag publishers, who think a photo credit "ruins" the layout, when OUR photos are THE highlight of their publication, take forever to pay or don't pay at all, thanks to all of you, I don't have the time and money to share more photos and stories. Whether fans or so-called print of film professionals are self-destructive. Oh the stories, oh the photos, what peeps are missing cos they are so selfish, greedy, and lazy.
I'm blessed a few peeps have helped me, but it's fucking embarrassing to beg for money when I'm the most published LA punk rock photographer, 1976-80. Or peeps who have used MY photos for free who argue with me that I'm stuck up.
PRAISE YOU AMANDA PALMER. Oh yeah, I love Dresden Dolls, have your CDs, and saw you at Music Box in LA. You rock and don't back down. Artists deserve far more money than they get, esp when OTHERS make more money from OUR art than we do. Wow, do I know that well!
Am I bitter? No! I photographed some of the MOST awesome rock shows of all time, had a blast, lived a wild, wild life, with more memories than I'll ever have time to share, plus the greatest time of my life. I don't owe nothin' to no one. I wanted to created an archive to keep those memories alive and to share with others. What I didn't count on were all the fan emails with blind eyes to my archive and life.
Hooray for art and artists like yourself. WE deserve every fucking penny we can get! I too want a coin-operated boy. Thanks for the memories! Jenny Lens, "the girl with the camera eye" (annointed by Patti Smith, but don't get me started on her, oh wow, talk about lip service!)
I'm not going to get back on AFP's side until she puts her money where her mouth is and gives the music and shows away for free. Until then, this just comes off as greedy and arrogant. As a musician myself, I would never charge anyone to download my music.
2) You are balling a well known author. Uh, kinda sad, ya prolly balled a lot of other people as well, but we all have to get somewhere somehow, don't we , honey?
3) Ummmm, yeah..... poor you, poor you...... SO MUCH ART GOING ON....um why does a so-called artist have to be so narcissitic as to ONLY post artwork from people of THEMSELF.... it is kinda of a look at me , look at me gallery.....
4) Not every glorified club kid who drinks too much is an artist.
5) You come in contact with um cool people..... but where is the art happening with them?It is like a social extravaganza,more than an artistic endeavor.
6) So you meet your fans personally. Um A LOT OF PEOPLE DO THAT, then they move on to the next town, you are not special, maybe in your head you are special but what, you see the FANS one time and they are your best friend? WHAT IS ORIGINAL ABOUT THAT? PLENTY of NORMAL everyday people have driven some rockstar or celebrity around when they came to their town, uh does it ever happen again, much?
7) When is the last time YOU DROVE a regular person around??? Why do you expect theM to get everything for you ???????????????????????
8) People in general, no matter who you are in EVERYDAY life are willing ot be personable and friendly if YOU ASK THEM. If you work public jobs, you can talk to anyone anytime of the day.
9) Personally, wonder why it is some novel concept to take your clothes off ?? kinda trite, really.What comes out of your brain should be more important.
10) FIELD TRIPS TO GOOGLE OFFICES ARE LAME.WHy must you bother people doing actual wokr because you think you are a persona?
11) WHY ON EARTH DO YOU MAKE AN ASS OUT OF NEIL GAIMAN???WHY? yOU EVEN SAID THINGS TO TOTALLY DIS THE COUNTRY HE IS FROM. REAL SWANK OF YOU.
12) Twitter is not magic, it is the internet. Stop trying tot make people be your personal bitches oh come bring me this , I need that.
13) ANYONE IF YOU ARE NICE will tell you their life story. It happens to me all the friggin time. MOST PEOPLE DO NOT HAVE TIME to play let's party and think everyone is our friend, they have responsibilities.
14) I have known people who truly are barely getting by.A lot of people who ask for money already have more than they need.
15) Playing the chick card may seem like fun , but substance is kinda nice once in a while.
16) If you want to see a bunch of imperfect belly's, visit Milwaukee sometime. Yeah, real glamorous.
17) From grade school, on folks been taking crap, if you have ever been a freak like MY SISTER WHO IS A REAL VEGETARIAN, not a fake one......and uh was kinda rather uber goth-ish in her time .. yeah, she has taken crap too......but most people do for some reason or another due to the misery of other people. Nothing gives you a thicker skin than every having had that glory title to your name.
18) Most of what you think is so original, has already been done. It doesn't make you a pioneer to be asking for money, look at half hte damn goths online selling and pimping their wares.
19) Slumming for cred points sucks ass.
20) Why on earth if your fans are your friends are you FOLLOWING WAY LESS PEOPLE ON TWITTER THAN YOU HAVE ADDED? One would venture to guess you choose to follow the people who GET YOU SOMEWHERE IN LIFE.
21) IF ya ever want to talk to someone down to earth in life, you should talk to my sister because she is way freaking cool......
22) People who are poor cannot buy things, bet they are not yer friend.
if the great Shakespeare could have a patron why can't you? Just because you give the chance to your fans to be your patron?
It's not like you are reaching your hand into their/our pocket and stealing - they/we choose to give it to you in exchange for you being free to write and play the music they/we like
http://kallmaker.blogspot.com/2009/10/lacking-i...
Once again I ask:
Then why are you NOT paying the artists who are doing the art for your tarot deck?
Are they not as "artist" as you? Are they not allowed to ask to be paid?
They can't eat a free deck of cards.
I'm glad you're doing this, Amanda, because if there's one thing I want it's for you to keep making music. You enrich my life, it's the least I can do to buy your music and your merch and tickets to your shows to help pay your rent.
and they already gave you their money at the entrance...
buy buy...
I posted 10 0f my original tunes on myspace.....(myspace.com/bucketofpoi), and never thought twice about sharing instead of asking for donations or payment for downloads. There's some awesome punk, outre, and even mellow ballad shit up there for free.
Why not?
I ain't starving yet, and 99 cents here or there isn't gonna put food on my table.
What it does is give people who I've contacted and announced the offerings to a chance to network and share my 'art' with others.
I hope everyone checks it out and at least listens to "Gladiator" (way before the Russell Crowe blockbuster).
It's a monster that was never released, and the 'guest' singer, my best bro, blew his head off a few years ago with a gun.
He gave up the 'Gladiator' spirit.
Check it out, and please download and share it with your friends!
Peace & Chaos,
Mitch M/ex-"House of Strangers" leader....
I wish any one of those words still carried the sense of meaning they once did. Your views are all of those and more :-)
Nice to see your scientologist boyfriend has effected you so pathetically.
Also funny to see neil got a tori amos knock off when he probably could have had the real thing.
:D